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I can't work in Brooklyn. Unless I'm completely locked away in a studio, there's just too much distraction and stimulation.
Zach Condon
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Zach Condon
Distraction
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Completely
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Brooklyn
More quotes by Zach Condon
I think that sonically, music speaks volumes more than words do, and I have always thought that and will continue to think that for the rest of my life.
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I just reached the point where I realised, I need to stop repeating myself if I'm ever actually going to enjoy the music I'm creating.
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I feel like I've met most people I look up to musically. I just want to meet Chef.
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In the age of the mp3, you gotta make the package special, something that's worth owning.
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I try to shut my brain down as much as possible. And let the melodies flow, if possible.
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After so many years of whispery, DIY vocals, there's this new generation of voices that are really starting to burst through the seams.
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I think it's become much harder because I'm more afraid of every step I take. I'm more aware of its ramifications, I'm more aware of the less creative aspects of music - like the business-side of things for example.
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I spent my entire life working with the smallest budget I could get. Just working with old, junky, donated equipment. The only things I bought myself were the trumpet and the $9 ukulele.
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There is a beauty to touring - to be honest, there's a way that music connects and you really feel the actual reaction of people to the music that you're making, and I feel like if I didn't do that I just wouldn't know, and I don't think my music would be the same.
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When I came back to America, I realized that world music is no joke, it really has a lot to it.
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I think, if I had my choice, I would spend all my time in the studio writing, and creating music.
Zach Condon
I like to think that location, travel, etc, is a launching point for purely imagining.
Zach Condon
When a city is unstimulating, you get pretty isolated.
Zach Condon
My thought with harmonies and melodies in general, is that if it doesn't come right away then it's never going to come at all.
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What was pretty crazy was to plan a wedding around a tour. It felt very getting-hitched-in-Vegas style. It was like, we played a show in Salt Lake City, ran to New Mexico, we got married, and then I was off to Lisbon.
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I think that there's a proliferation of music that is done entirely in the bedroom for an Internet audience, but there's no way in hell that you could actually kill off a live show, and its importance in the creation of music - it's just impossible.
Zach Condon
I have tried to write soundtracks, and the main problem with those was that the directors often had in their minds a much stronger sense of what they wanted to hear, than what I was willing to give them, and I guess there was no way to say, Well why don't you write your scene around my music? Because that's just cocky and awful.
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I'm writing songs about New York. A lot of them carry the names of neighborhoods in Long Island. Maspeth, Montauk. I'm getting into the idea of a F. Scott Fitzgerald-esque Long Island back when New York was...New York.
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The way Jacques Brel writes a story, getting into the character, bringing out all his faults and qualities in the same song.... Not that I could ever write in such an epic way, but it really is a different way to go about writing lyrics...and I find that quite inspiring.
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Raucous drunken trumpets and instrumentation tend to guide the way you think. They can give you a path to follow lyrically.
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