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I was always looking outside of myself for stories and ideas and influences and then I kind of realized in 2010, that all of this time, I've developed a sound. And I've never fully explored it.

Zach Condon

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Zach Condon
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More quotes by Zach Condon

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I dropped out of high school and I tried to go to community college for a little while. I can't be a student. I always hated that lifestyle.
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I was a very good student until about sophomore year, and that's when I just became so disillusioned with the whole thing that I just became an awful student. I was still making good grades. But I was cutting class three days a week and faking papers that I got off the internet.
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I put myself in the studio and I really made sure to say, 'Well, if I would normally reach for a trumpet, why don't I reach for the next nearest instrument instead?'
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I spent my entire life working with the smallest budget I could get. Just working with old, junky, donated equipment. The only things I bought myself were the trumpet and the $9 ukulele.
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I'm sure that's every adolescent's complaint about their home town. When a city is unstimulating, you get pretty isolated.
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After so many years of whispery, DIY vocals, there's this new generation of voices that are really starting to burst through the seams.
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As a teenager and a young adult, I never felt like my own story was interesting enough to tell, so I always wrote lyrics from someone else's perspective - told someone else's story.
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My dad is obsessed with music, so I was raised around this guitar player that really wanted me to be a guitar player.
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I feel like I've met most people I look up to musically. I just want to meet Chef.
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My thought with harmonies and melodies in general, is that if it doesn't come right away then it's never going to come at all.
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You always know when a real inspiration is behind the melody, arrangements, even lyrics. And I know that's really vague, but it's true.
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I have tried to write soundtracks, and the main problem with those was that the directors often had in their minds a much stronger sense of what they wanted to hear, than what I was willing to give them, and I guess there was no way to say, Well why don't you write your scene around my music? Because that's just cocky and awful.
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I'm swept along by larger forces out of my control.
Zach Condon
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I can't be a student. I always hated that lifestyle.
Zach Condon
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I'm writing songs about New York. A lot of them carry the names of neighborhoods in Long Island. Maspeth, Montauk. I'm getting into the idea of a F. Scott Fitzgerald-esque Long Island back when New York was...New York.
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I love the community and the entertainment too much. I'm used to it - it's what I saw first.
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I want a song that raises the hair on the back of my neck when I sing it live and I want to feel it every time.
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In some ways, I feel like I've been such a dilettante for so many years, just picking up instruments and stretching myself so thin.
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I think I spent more time on the mellotron than on any other instrument in the studio, and it got to the point where I was like, Well, you can't write an entire album on this instrument. But maybe I would!
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It's just not an image I had ever put out about myself - the bedroom synth guy. The whole thing seemed ridiculous.
Zach Condon