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Raucous drunken trumpets and instrumentation tend to guide the way you think. They can give you a path to follow lyrically.

Zach Condon

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Zach Condon
Tend
Follow
Raucous
Path
Lyrically
Give
Instrumentation
Giving
Drunken
Way
Trumpets
Think
Guide
Thinking
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More quotes by Zach Condon

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I think that within the world of music that we work in, which is so not perfect, I think that you really do have to learn to accept your own mistakes as part of the beauty of music itself.
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I can't work in Brooklyn. Unless I'm completely locked away in a studio, there's just too much distraction and stimulation.
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You always know when a real inspiration is behind the melody, arrangements, even lyrics. And I know that's really vague, but it's true.
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My thought with harmonies and melodies in general, is that if it doesn't come right away then it's never going to come at all.
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It was funny to just take a backseat and be like, 'Wow, I might be in this crazy place, but maybe I don't need to understand everything, maybe I don't need to be someone else.'
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I was always looking outside of myself for stories and ideas and influences and then I kind of realized in 2010, that all of this time, I've developed a sound. And I've never fully explored it.
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You can never not feel like that, as a working artist these days. It's funny - time off makes me nervous, but so does time on. At least the pressure wasn't coming from outside.
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I love the community and the entertainment too much. I'm used to it - it's what I saw first.
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What was pretty crazy was to plan a wedding around a tour. It felt very getting-hitched-in-Vegas style. It was like, we played a show in Salt Lake City, ran to New Mexico, we got married, and then I was off to Lisbon.
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I want a song that raises the hair on the back of my neck when I sing it live and I want to feel it every time.
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I fell off a bridge when I was 14, then had surgery when I was 17. Now my left wrist is an inch-and-a-half shorter than my [right one] and doesn't quite have the mobility to wrap around a guitar neck without a bit of pain.
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As a teenager and a young adult, I never felt like my own story was interesting enough to tell, so I always wrote lyrics from someone else's perspective - told someone else's story.
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I have tried to write soundtracks, and the main problem with those was that the directors often had in their minds a much stronger sense of what they wanted to hear, than what I was willing to give them, and I guess there was no way to say, Well why don't you write your scene around my music? Because that's just cocky and awful.
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When I came back to America, I realized that world music is no joke, it really has a lot to it.
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I dropped out of high school and I tried to go to community college for a little while. I can't be a student. I always hated that lifestyle.
Zach Condon
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I'm writing songs about New York. A lot of them carry the names of neighborhoods in Long Island. Maspeth, Montauk. I'm getting into the idea of a F. Scott Fitzgerald-esque Long Island back when New York was...New York.
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As much as I try to grow as a lyricist, I tend to laugh at even calling myself that, because I think that my actual talents lie more in arrangements than they do words.
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In the age of the mp3, you gotta make the package special, something that's worth owning.
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I think I spent more time on the mellotron than on any other instrument in the studio, and it got to the point where I was like, Well, you can't write an entire album on this instrument. But maybe I would!
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I'd been living out of a suitcase since I was 17 years old, and it just got to the point where it was ridiculous. Besides, it was really hurting everything I was trying to do in music to feel so consistently homeless was no way to endure touring and stress.
Zach Condon