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When a city is unstimulating, you get pretty isolated.

Zach Condon

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Zach Condon
Cities
Pretty
Isolated
City

More quotes by Zach Condon

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There was always a unique Beirut sound, it was always there, and so this time I just dove straight into that, instead of daydreaming and wandering.
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As much as I try to grow as a lyricist, I tend to laugh at even calling myself that, because I think that my actual talents lie more in arrangements than they do words.
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What was pretty crazy was to plan a wedding around a tour. It felt very getting-hitched-in-Vegas style. It was like, we played a show in Salt Lake City, ran to New Mexico, we got married, and then I was off to Lisbon.
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I released that side of things really as kind of an introduction to where I came from musically, back in the day when all I had was a keyboard, a drum machine, and a four-track. So I was doing these little synth-pop ditties, and it's how I learned to write.
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I'm sure that's every adolescent's complaint about their home town. When a city is unstimulating, you get pretty isolated.
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In some ways, I feel like I've been such a dilettante for so many years, just picking up instruments and stretching myself so thin.
Zach Condon
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The greatest thing about my house was that I was in the far end of it and I could make as much noise as I wanted. By the time I moved out, I had a full-sized piano, two full-sized organs, bits and pieces of a drum kit, and a whole computer set up for Pro Tools. I had this mattress in between the piano and the organ. That was the only walking room.
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I think that within the world of music that we work in, which is so not perfect, I think that you really do have to learn to accept your own mistakes as part of the beauty of music itself.
Zach Condon
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I tried to go to community college for a while, and it's a funny story. I walked into the English class on the first day, and they told us to write about what we did over the summer. I can't remember exactly, but I think I walked out exactly at that point and went to the office to ask for my money back.
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I'm very flash and burn - the first thing that comes to mind is obviously the best idea, and that's because it should come out of a natural place, and if you don't do that then you're writing someone else's music, not your own.
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My thought with harmonies and melodies in general, is that if it doesn't come right away then it's never going to come at all.
Zach Condon
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You can never not feel like that, as a working artist these days. It's funny - time off makes me nervous, but so does time on. At least the pressure wasn't coming from outside.
Zach Condon
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I'm writing songs about New York. A lot of them carry the names of neighborhoods in Long Island. Maspeth, Montauk. I'm getting into the idea of a F. Scott Fitzgerald-esque Long Island back when New York was...New York.
Zach Condon
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I think I spent more time on the mellotron than on any other instrument in the studio, and it got to the point where I was like, Well, you can't write an entire album on this instrument. But maybe I would!
Zach Condon
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When I came back to America, I realized that world music is no joke, it really has a lot to it.
Zach Condon
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I tend to hear rhythm and melody, chord-progressions, long before I hear words.
Zach Condon
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Raucous drunken trumpets and instrumentation tend to guide the way you think. They can give you a path to follow lyrically.
Zach Condon
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It's a natural tendency of mine to not even listen to lyrics.
Zach Condon
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I think that sonically, music speaks volumes more than words do, and I have always thought that and will continue to think that for the rest of my life.
Zach Condon
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I can't work in Brooklyn. Unless I'm completely locked away in a studio, there's just too much distraction and stimulation.
Zach Condon