Quote

Judo has helped me to understand that pictorial space is above all the product of spiritual exercises. Judo is, in fact, the discovery by the human body of a spiritual space.

Yves Klein

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Yves Klein
Age: 34 †
Born: 1928
Born: January 1
Died: 1962
Died: June 6
Artist
Conceptual Artist
Drawer
Judoka
Painter
Performance Artist
Photographer
Sculptor
Nice
France
Fact
Exercises
Spiritual
Helped
Understand
Product
Facts
Spirituality
Body
Discovery
Human
Products
Humans
Exercise
Judo
Space
Pictorial

More quotes by Yves Klein

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As I lay stretched upon the beach of Nice, I began to feel hatred for birds which flew back and forth across my blue sky, cloudless sky, because they tried to bore holes in my greatest and most beautiful work.
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Color is enslaved by line, that becomes writing.
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I had proof that I had five senses, that I knew how to get myself to function! And then I lost my childhood.
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Color is sensitivity in material form, substance in its purest form.
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I am against the line and all its consequences: contours, forms, composition. All paintings of whatever sort, figurative or abstract, seem to me like prison windows in which the lines, precisely are the bars.
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Pure, existential space was regularly winking at me, each time in a more impressive manner, and this sensation of total freedom attracted me so powerfully that I painted some monochrome surfaces just to 'see,' to 'see' with my own eyes what existential sensibility granted me: absolute freedom!
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I arrived on earth in 1928. Born into a milieu of painters, I acquired my taste for painting with my mother's milk.
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At first there is nothing, then there is a profound nothingness, after that a blue profundity.
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I did not like the nothing, and it is thus that I met the empty, the deep empty, the depth of the blue.
Yves Klein
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Color is sensibility in material form, matter in its primordial state.
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The essential of painting is that 'something', that 'ethereal glue,' that 'intermediary product' which the artist exudes with all his creative being and which he has the power to place, to encrust, to impregnate into the pictorial matter of the painting.
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The imagination is the vehicle of sensibility. Transported by the imagination, we attain life, life itself, which is absolute art.
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I made the flames lick the surface of the painting in such a way that is recorded the spontaneous traces of the fire. But what is it that provokes in me this pursuit of the impression of fire? Why must I search for its traces?
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Hours of preparation for something that is excecuted, with extreme precision, in a few minutes. Just as with a judo throw.
Yves Klein
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Every phenomenon manifests itself of its own accord. This manifestation is always distinct from form, and is the essence of the immediate, the trace of the immediate.
Yves Klein
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My monochrome pictures are not my definite works, but the preparation for my works. They are the leftovers from the creative processes, the ashes. My pictures, after all, are only the title-deeds to my property which I have to produce when I am asked to prove that I am a proprietor.
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I remain detached and distant, but it is under my eyes and my orders that the work of art must create itself. Then, when the creation starts, I stand there, present at the ceremony, immaculate, calm, relaxed... ready to welcome the work of art that is coming into existence in the tangible world.
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The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds.
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It was then that I remembered the colour blue, the blue of the sky in nice that was at the origin of my career as monochromist. I started work towards the end of 1956 and in 1957 I had an exhibition in Milan which consisted entirely of what I dared to call my 'Epoque bleue'.
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My paintings are only the ashes of my art
Yves Klein