Quote

I did not like the nothing, and it is thus that I met the empty, the deep empty, the depth of the blue.

Yves Klein

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Yves Klein
Age: 34 †
Born: 1928
Born: January 1
Died: 1962
Died: June 6
Artist
Conceptual Artist
Drawer
Judoka
Painter
Performance Artist
Photographer
Sculptor
Nice
France
Mets
Thus
Blue
Empty
Deep
Movement
Nothing
Like
Depth

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Color is enslaved by line, that becomes writing.
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I made the flames lick the surface of the painting in such a way that is recorded the spontaneous traces of the fire. But what is it that provokes in me this pursuit of the impression of fire? Why must I search for its traces?
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I had proof that I had five senses, that I knew how to get myself to function! And then I lost my childhood.
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Color is sensitivity in material form, substance in its purest form.
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I remain detached and distant, but it is under my eyes and my orders that the work of art must create itself. Then, when the creation starts, I stand there, present at the ceremony, immaculate, calm, relaxed... ready to welcome the work of art that is coming into existence in the tangible world.
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Every phenomenon manifests itself of its own accord. This manifestation is always distinct from form, and is the essence of the immediate, the trace of the immediate.
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For me, each nuance of a color is in some way an individual, a being who is from the same race as the base color, but who definitely possesses a distinct character and personal soul.
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My paintings are only the ashes of my art
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I want to take as the canvas for my next picture the entire surface of France.
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Color is sensibility in material form, matter in its primordial state.
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My monochrome pictures are not my definite works, but the preparation for my works. They are the leftovers from the creative processes, the ashes. My pictures, after all, are only the title-deeds to my property which I have to produce when I am asked to prove that I am a proprietor.
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At first there is nothing, then there is a profound nothingness, after that a blue profundity.
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Pure, existential space was regularly winking at me, each time in a more impressive manner, and this sensation of total freedom attracted me so powerfully that I painted some monochrome surfaces just to 'see,' to 'see' with my own eyes what existential sensibility granted me: absolute freedom!
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I had left the visible, physical blue at the door, outside, in the street. The real blue was inside, the blue of the profundity of space, the blue of my kingdom, of our kingdom!.. ..the immaterialisation of blue, the coloured space that can not be seen but which we impregnate ourselves with.
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I arrived on earth in 1928. Born into a milieu of painters, I acquired my taste for painting with my mother's milk.
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The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds.
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The essential of painting is that 'something', that 'ethereal glue,' that 'intermediary product' which the artist exudes with all his creative being and which he has the power to place, to encrust, to impregnate into the pictorial matter of the painting.
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To feel the soul without explaining it, without vocabulary, and to represent this sensation.
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Hours of preparation for something that is excecuted, with extreme precision, in a few minutes. Just as with a judo throw.
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Blue suggests the sea and sky, and they, after all, are in actual, visible nature what is most abstract.
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