Quote

I made the flames lick the surface of the painting in such a way that is recorded the spontaneous traces of the fire. But what is it that provokes in me this pursuit of the impression of fire? Why must I search for its traces?

Yves Klein

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Yves Klein
Age: 34 †
Born: 1928
Born: January 1
Died: 1962
Died: June 6
Artist
Conceptual Artist
Drawer
Judoka
Painter
Performance Artist
Photographer
Sculptor
Nice
France
Fire
Spontaneous
Must
Flames
Made
Search
Way
Impression
Provokes
Burning
Lick
Pursuit
Traces
Surface
Recorded
Painting
Provoking

More quotes by Yves Klein

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Hours of preparation for something that is excecuted, with extreme precision, in a few minutes. Just as with a judo throw.
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My paintings are only the ashes of my art
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As I lay stretched upon the beach of Nice, I began to feel hatred for birds which flew back and forth across my blue sky, cloudless sky, because they tried to bore holes in my greatest and most beautiful work.
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I have written my name on the far side of the sky.
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For me, each nuance of a color is in some way an individual, a being who is from the same race as the base color, but who definitely possesses a distinct character and personal soul.
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Color is enslaved by line, that becomes writing.
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Blue has no dimensions, it is beyond dimensions, whereas the other colours are not....All colours arouse specific associative ideas, psychologically material or tangible, while blue suggests at most the sea and sky, and they, after all, are in actual, visible nature what is most abstract.
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I did not like the nothing, and it is thus that I met the empty, the deep empty, the depth of the blue.
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The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds.
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Color is sensitivity in material form, substance in its purest form.
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The essential of painting is that 'something', that 'ethereal glue,' that 'intermediary product' which the artist exudes with all his creative being and which he has the power to place, to encrust, to impregnate into the pictorial matter of the painting.
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I remain detached and distant, but it is under my eyes and my orders that the work of art must create itself. Then, when the creation starts, I stand there, present at the ceremony, immaculate, calm, relaxed... ready to welcome the work of art that is coming into existence in the tangible world.
Yves Klein
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My monochrome pictures are not my definite works, but the preparation for my works. They are the leftovers from the creative processes, the ashes. My pictures, after all, are only the title-deeds to my property which I have to produce when I am asked to prove that I am a proprietor.
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I had proof that I had five senses, that I knew how to get myself to function! And then I lost my childhood.
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Every phenomenon manifests itself of its own accord. This manifestation is always distinct from form, and is the essence of the immediate, the trace of the immediate.
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It was then that I remembered the colour blue, the blue of the sky in nice that was at the origin of my career as monochromist. I started work towards the end of 1956 and in 1957 I had an exhibition in Milan which consisted entirely of what I dared to call my 'Epoque bleue'.
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To feel the soul without explaining it, without vocabulary, and to represent this sensation.
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I had left the visible, physical blue at the door, outside, in the street. The real blue was inside, the blue of the profundity of space, the blue of my kingdom, of our kingdom!.. ..the immaterialisation of blue, the coloured space that can not be seen but which we impregnate ourselves with.
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The imagination is the vehicle of sensibility. Transported by the imagination, we attain life, life itself, which is absolute art.
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I want to take as the canvas for my next picture the entire surface of France.
Yves Klein