Quote

As I lay stretched upon the beach of Nice, I began to feel hatred for birds which flew back and forth across my blue sky, cloudless sky, because they tried to bore holes in my greatest and most beautiful work.

Yves Klein

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Yves Klein
Age: 34 †
Born: 1928
Born: January 1
Died: 1962
Died: June 6
Artist
Conceptual Artist
Drawer
Judoka
Painter
Performance Artist
Photographer
Sculptor
Nice
France
Nice
Began
Bore
Upon
Sky
Flew
Beautiful
Hatred
Bores
Back
Across
Birds
Feel
Bird
Holes
Tried
Beach
Feels
Blue
Forth
Cloudless
Work
Greatest
Lays
Stretched

More quotes by Yves Klein

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At first there is nothing, then there is a profound nothingness, after that a blue profundity.
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I had proof that I had five senses, that I knew how to get myself to function! And then I lost my childhood.
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My monochrome pictures are not my definite works, but the preparation for my works. They are the leftovers from the creative processes, the ashes. My pictures, after all, are only the title-deeds to my property which I have to produce when I am asked to prove that I am a proprietor.
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The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds.
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I had left the visible, physical blue at the door, outside, in the street. The real blue was inside, the blue of the profundity of space, the blue of my kingdom, of our kingdom!.. ..the immaterialisation of blue, the coloured space that can not be seen but which we impregnate ourselves with.
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I arrived on earth in 1928. Born into a milieu of painters, I acquired my taste for painting with my mother's milk.
Yves Klein
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It was then that I remembered the colour blue, the blue of the sky in nice that was at the origin of my career as monochromist. I started work towards the end of 1956 and in 1957 I had an exhibition in Milan which consisted entirely of what I dared to call my 'Epoque bleue'.
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Color is sensibility in material form, matter in its primordial state.
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I made the flames lick the surface of the painting in such a way that is recorded the spontaneous traces of the fire. But what is it that provokes in me this pursuit of the impression of fire? Why must I search for its traces?
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Every phenomenon manifests itself of its own accord. This manifestation is always distinct from form, and is the essence of the immediate, the trace of the immediate.
Yves Klein
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Blue has no dimensions, it is beyond dimensions, whereas the other colours are not....All colours arouse specific associative ideas, psychologically material or tangible, while blue suggests at most the sea and sky, and they, after all, are in actual, visible nature what is most abstract.
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Pure, existential space was regularly winking at me, each time in a more impressive manner, and this sensation of total freedom attracted me so powerfully that I painted some monochrome surfaces just to 'see,' to 'see' with my own eyes what existential sensibility granted me: absolute freedom!
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I remain detached and distant, but it is under my eyes and my orders that the work of art must create itself. Then, when the creation starts, I stand there, present at the ceremony, immaculate, calm, relaxed... ready to welcome the work of art that is coming into existence in the tangible world.
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To feel the soul without explaining it, without vocabulary, and to represent this sensation.
Yves Klein
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Color is enslaved by line, that becomes writing.
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For me, each nuance of a color is in some way an individual, a being who is from the same race as the base color, but who definitely possesses a distinct character and personal soul.
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I want to take as the canvas for my next picture the entire surface of France.
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Hours of preparation for something that is excecuted, with extreme precision, in a few minutes. Just as with a judo throw.
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Blue suggests the sea and sky, and they, after all, are in actual, visible nature what is most abstract.
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I have written my name on the far side of the sky.
Yves Klein