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Color is enslaved by line, that becomes writing.

Yves Klein

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Yves Klein
Age: 34 †
Born: 1928
Born: January 1
Died: 1962
Died: June 6
Artist
Conceptual Artist
Drawer
Judoka
Painter
Performance Artist
Photographer
Sculptor
Nice
France
Color
Becomes
Lines
Writing
Enslaved
Line

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I did not like the nothing, and it is thus that I met the empty, the deep empty, the depth of the blue.
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I made the flames lick the surface of the painting in such a way that is recorded the spontaneous traces of the fire. But what is it that provokes in me this pursuit of the impression of fire? Why must I search for its traces?
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I have written my name on the far side of the sky.
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Blue has no dimensions, it is beyond dimensions.
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Hours of preparation for something that is excecuted, with extreme precision, in a few minutes. Just as with a judo throw.
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My paintings are only the ashes of my art
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I remain detached and distant, but it is under my eyes and my orders that the work of art must create itself. Then, when the creation starts, I stand there, present at the ceremony, immaculate, calm, relaxed... ready to welcome the work of art that is coming into existence in the tangible world.
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The essential of painting is that 'something', that 'ethereal glue,' that 'intermediary product' which the artist exudes with all his creative being and which he has the power to place, to encrust, to impregnate into the pictorial matter of the painting.
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I was trying to show colour, but I realized at the private view that the public were prisoners of a preconceived point of view and that, confronted with all these surfaces of different colours, they responded far more to the inter-relationship of the different propositions, they reconstituted the elements of a decorative polychromy.
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Judo has helped me to understand that pictorial space is above all the product of spiritual exercises. Judo is, in fact, the discovery by the human body of a spiritual space.
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My monochrome pictures are not my definite works, but the preparation for my works. They are the leftovers from the creative processes, the ashes. My pictures, after all, are only the title-deeds to my property which I have to produce when I am asked to prove that I am a proprietor.
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To feel the soul without explaining it, without vocabulary, and to represent this sensation.
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Color is sensitivity in material form, substance in its purest form.
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For me, each nuance of a color is in some way an individual, a being who is from the same race as the base color, but who definitely possesses a distinct character and personal soul.
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The imagination is the vehicle of sensibility. Transported by the imagination, we attain life, life itself, which is absolute art.
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The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds.
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Every phenomenon manifests itself of its own accord. This manifestation is always distinct from form, and is the essence of the immediate, the trace of the immediate.
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As I lay stretched upon the beach of Nice, I began to feel hatred for birds which flew back and forth across my blue sky, cloudless sky, because they tried to bore holes in my greatest and most beautiful work.
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At first there is nothing, then there is a profound nothingness, after that a blue profundity.
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I arrived on earth in 1928. Born into a milieu of painters, I acquired my taste for painting with my mother's milk.
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