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Vietnam helped me to look at the horror and terror in the hearts of people and realize how we can't aim guns and set booby traps for people we have never spoken a word to. That kind of impersonal violence mystifies me.
Yusef Komunyakaa
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Yusef Komunyakaa
Age: 77
Born: 1947
Born: April 29
Author
Poet
University Teacher
Writer
Bogalusa
Louisiana
James William Brown
Jr
People
Realizing
Vietnam
Violence
Helped
Word
Aim
Look
Gun
Booby
Looks
Terror
Impersonal
Heart
Horror
Traps
Kind
Hearts
Guns
Never
Realize
Spoken
More quotes by Yusef Komunyakaa
I originally wanted to embrace the imagery and forthrightness of rap music. There are some interesting, dynamic voices in rap. But I find most of it irresponsible in its overt violence and commercialization of anger. As artists, we believe we can will action through language. If that's the case, we have to take responsibility for what we say.
Yusef Komunyakaa
I'm uncomfortable with the focus on the poet and not on the poem.
Yusef Komunyakaa
There's a sameness about American poetry that I don't think represents the whole people. It represents a poetry of the moment, a poetry of evasion, and I have problems with this. I believe poetry has always been political, long before poets had to deal with the page and white space . . . it's natural.
Yusef Komunyakaa
Poets are seen as the caretakers of language, so working with words no matter what the form is what we do.
Yusef Komunyakaa
Poetry is a process of getting back to the unconscious. Hence, I am always writing-even when I'm not facing the white space. I feel writers are like reservoirs of images. We take in what is around us.
Yusef Komunyakaa
I said that love heals from inside.
Yusef Komunyakaa
Poetry helps me understand who I am. It helps me understand the world around me. But above all, what poetry has taught me is the fact that I need to embrace mystery in order to be completely human.
Yusef Komunyakaa
Through the years I have seen myself as a peaceful person, but the awareness of the anger is part of that process.
Yusef Komunyakaa
I like what Oliver Lakes does on the saxophone. The saxophone comes pretty close to the sound of the human voice and when Oliver plays with other sax players, it's like a dialogue.
Yusef Komunyakaa
I excavate history. I look at lives buried under too much silence. Periods of time, like slavery, have to be revisited, reimagined, so we can move through them.
Yusef Komunyakaa
I see many black males grasping for some thread of hope. There are so many destructive practices, glimpses into a psychic abyss. That must be very frightening.
Yusef Komunyakaa
I think of language as our first music.
Yusef Komunyakaa
I define poetry as celebration and confrontation. When we witness something, are we responsible for what we witness? That's an on-going existential question. Perhaps we are and perhaps there's a kind of daring, a kind of necessary energetic questioning. Because often I say it's not what we know, it's what we can risk discovering.
Yusef Komunyakaa
Students often have such a lofty idea of what a poem is, and I want them to realize that their own lives are where the poetry comes from. The most important things are to respect the language to know the classical rules, even if only to break them and to be prepared to edit, to revise, to shape.
Yusef Komunyakaa
I like connecting the abstract to the concrete. There's a tension in that. I believe the reader or listener should be able to enter the poem as a participant. So I try to get past resolving poems.
Yusef Komunyakaa
I’ve been here before, dreaming myself backwards, among grappling hooks of light. True to the seasons, I’ve lived every word spoken. Did I walk into someone’s nightmare?
Yusef Komunyakaa
I knew life Began where I stood in the dark, Looking out into the light.
Yusef Komunyakaa
It took me 14 years to write poems about Vietnam. I had never thought about writing about it, and in a way I had been systematically writing around it.
Yusef Komunyakaa
We have to embrace the good over the bad. That has to be one's personal project.
Yusef Komunyakaa
I close my eyes and can see men drawing lines in the dust. America pushes through the membrane of mist and smoke, and I'm a small boy again in Bogalusa.
Yusef Komunyakaa
