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As long as you know I am waiting, take your time flowers of the spring.

Yukio Mishima

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Yukio Mishima
Age: 45 †
Born: 1925
Born: January 14
Died: 1970
Died: November 25
Actor
Author
Critic
Essayist
Film Actor
Film Director
Lyricist
Military Personnel
Model
Novelist
Playwright
Poet
Prosaist
Screenwriter
City of Tokyo
Mishima Yukio
Kimitake Hiraoka
Hiraoka Kimitake
Flowers
Spring
Flower
Quiet
Waiting
Take
Long
Time

More quotes by Yukio Mishima

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Nobody even imagines how well one can lie about the state of one’s own heart.
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Suddenly the full long wail of a ship's horn surged through the open window and flooded the dim room—a cry of boundless, dark, demanding grief pitch-black and glabrous as a whale's back and burdened with all the passions of the tides, the memory of voyages beyond counting, the joys, the humiliations: the sea was screaming.
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There isn't any fear in existence itself, or any uncertainty, but living creates it.
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It is a common failing of childhood to think that if one makes a hero out of a demon the demon will be satisfied.
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Possessing by letting go of things was a secret of ownership unknown to youth.
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The instant that the blade tore open his flesh, the bright disk of the sun soared up and exploded behind his eyelids.
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There is no virtue in curiosity. In fact, it might be the most immoral desire a man can possess.
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Glory, as anyone knows, is bitter stuff.
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a samurai is a total human being, whereas a man who is completely absorbed in his technical skill has degenerated into a ‘function’, one cog in a machine.
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Let us remember that the central reality must be sought in the writer's work: it is what the writer chose to write, or was compelled to write, that finally matters. And certainly Mishima's carefully premeditated death is part of his work.
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Better to be caught in sudden, complete catastrophe than to be gnawed by the cancer of imagination.
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Beyond doubt, there was a certain splendor in pain, which bore a deep affinity to the splendor that lies hidden within strength.
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For a long time I had not approached the forbidden fruit called happiness, but it was now tempting me with a melancholy persistence. I felt as though Sonoko were an abyss above which I stood poised.
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Abruptly he thrust his snow-drenched leather gloves against my cheeks. I dodged. A raw carnal feeling blazed up within me, branding my cheeks. I felt myself staring at him with crystal clear eyes... From that time on I was in love with Omi.
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Was I ignorant, then, when I was seventeen? I think not. I knew everything. A quarter-century's experience of life since then has added nothing to what I knew. The one difference is that at seventeen I had no 'realism'.
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If the photographer is to create works that will stand for his spirit in the same way as artists in other genres, he must first - having no ready-made, abstract components such as works and sounds - supply other means to abstraction instead.
Yukio Mishima
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For an artist to do creative work, he needs at once physical health and some physiomental ill health. He needs both serenity and gloom.
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The only people in this world I really trust are my fans - even if they do forget you so fast.
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Actually the action called a kiss represented nothing more for me than some place where my spirit could seek shelter.
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By means of microscopic observation and astronomical projection the lotus flower can become the foundation for an entire theory of the universe and an agent whereby we may perceive Truth.
Yukio Mishima