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I feel like there are a lot of artists that you could put together that you love, but it doesn't necessarily mean it's going to make amazing music. Giving an artist a great theme to write about doesn't mean the song's going to be good.
Yukimi Nagano
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Yukimi Nagano
Age: 42
Born: 1982
Born: January 31
Singer
Songwriter
Göteborg
Great
Artist
Writing
Write
Going
Doesn
Make
Together
Theme
Good
Music
Necessarily
Love
Feel
Artists
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Giving
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Mean
Song
More quotes by Yukimi Nagano
It can be tricky with branding these days, because everything is kind of branded.
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Swedes, compared to Americans, can seem a little cold and introverted.
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My lesson from that [songwriting process] was that I should go back to where I was and try to make that first pure even more strong.
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I don't write hits. If you just open that door, you're going to get a hit.
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We've been fortunate enough to have a lot of people to ask us to be on their records - so many artists and musicians that we really respect and look up to. And it's been really special. But from our side, there's so much that we in the Little Dragon are still learning about ourselves writing-wise that I guess we haven't had that need.
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I find it a little stressful when you're in a really nice studio and you feel time ticking and the bill getting higher.
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It's hard to start and think about having balance. Music is a tough industry, and you have to work your way to that luxury.
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Now you know you're going to have to play music for the label, you know you're going to have to get an opinion from the manager. Now, I'm so much more conscious and it bothers me. I try to find my way back to writing without being too analytical or not thinking about whether this is good or is it bad.
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I didn't really like jazz that much and was unhappy in that genre. It was what I was doing just to get by and pay rent.
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A tiny detail can make you feel completely different. I feel different if I wear something that I'm slightly uncomfortable in.
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Once you've had a real taste of touring it's like, Okay, it's pretty amazing that we have real fans and we can go out and play shows, but you start to feel a personal need, like, Okay, I think it's time to go home for a minute.
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It's weird with making music - you can have no vibe while you're working on something and recognize that the music was special afterwards. And it happens to me while I am working on my own music, as well! One minute you hate it, and then a few years you're obsessed with a little beat you did, and the opposite.
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To foster creativity, I think a little pressure can be good, but stress isn't good. Knowing that you have a defined window of time and you're going to dedicate your attention to it is a positive - but you can't think of it as needing a track that's going to change your life.
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What does success look like for you? Maybe your definition of success is too different from what the label defines as success. Perhaps your definition of success is simply being able to live off your art for the rest of your days. Don't get caught up in this crazy business. I'd say that's one of the most important things.
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I never listen to any of my music after it comes out, unless I hear it in a cafe or whatever. I'll think, I forgot how it was so slow or how minimal it felt compared to how it's become live, because you start having a relationship to the songs live. After an album is finished, I really let go.
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I feel like I'm still learning a lot with writing lyrics. In the beginning, like the first record, I wasn't so aware.
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If you listen too much to doubts you're totally lost.
Yukimi Nagano
I've worked with a lot of different producers, a lot of different writers on the album, so I mostly feel like I learned a lot about what I don't want to do the next time around.
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One of my strict, strict rules is a no auto-tune policy.
Yukimi Nagano
You write music for yourself and if you just open that door and let people in, the audience is going to grow and it's going to become more accessible.
Yukimi Nagano