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We may be coming to a new golden age of instrument making.

Yo-Yo Ma

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Yo-Yo Ma
Age: 69
Born: 1955
Born: October 7
Actor
Cellist
Composer
Music Pedagogue
Musician
Paris
France
Yo Yo Ma
YoYo Ma
Instrument
Golden
Instruments
Coming
Age
Making
May

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Passion is one great force that unleashes creativity, because if you're passionate about something, then you're more willing to take risks.
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Classical music is one of the best things that ever happened to mankind. If you get introduced to it in the right way, it becomes your friend for life.
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When we enlarge our view of the world, we deepen our understanding of our own lives.
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I play an instrument that has four strings, and I'm still trying to get it right. What I've tried to do in the process of playing these four strings is to try and understand the people I meet, the stories they have to tell. And then become an advocate for them and their stories through music.
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The role of the musician is to go from concept to full execution. Put another way, it's to go from understanding the content of something to really learning how to communicate it and make sure it's well-received and lives in somebody else.
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I remember when I was growing up. My great wish was to understand who I was and how I fit in the world.
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Practicing is not only playing your instrument, either by yourself or rehearsing with others - it also includes imagining yourself practicing. Your brain forms the same neural connections and muscle memory whether you are imagining the task or actually doing it.
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You go through phases. You have to reinvent reasons for playing, and one year's answer might not do for another.
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When you learn something from people, or from a culture, you accept it as a gift, and it is your lifelong commitment to preserve it and build on it.
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When we have a good balance between thinking and feeling... our actions and lives are always the richer for it.
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I think anybody who goes away finds you appreciate home more when you return.
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The worst thing you can do is say to yourself, I want to be just like somebody else. You have to absorb knowledge from someone else, but ultimately you have to find your own voice.
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But an innovation, to grow organically from within, has to be based on an intact tradition, so our idea is to bring together musicians who represent all these traditions, in workshops, festivals, and concerts, to see how we can connect with each other in music.
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People will ask, 'Are you famous?' And I always answer, 'My mother thinks so.'
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One of the marks of a great teacher lies not only in an ability to impart knowledge but also in knowing when to encourage a student to go off on his own.
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I've been traveling all over the world for 25 years, performing, talking to people, studying their cultures and musical instruments, and I always come away with more questions in my head than can be answered.
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Sound is ephemeral, fleeting, but some sort of a physical manifestation can help you hold on to it longer in time. I'm sure of this I've always thought the sound that you make is just the tip of the iceberg, like the person that you see physically is just the tip of the iceberg as well.
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Things can fall apart, or threaten to, for many reasons, and then there's got to be a leap of faith. Ultimately, when you're at the edge, you have to go forward or backward if you go forward, you have to jump together.
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Once something is memorable, it's living and you're using it. That to me is the foundation of a creative society.
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