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We may be coming to a new golden age of instrument making.

Yo-Yo Ma

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Yo-Yo Ma
Age: 69
Born: 1955
Born: October 7
Actor
Cellist
Composer
Music Pedagogue
Musician
Paris
France
Yo Yo Ma
YoYo Ma
Coming
Age
Making
May
Instrument
Golden
Instruments

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Sharing is a much better way to communicate than proving.
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Music has always been transnational people pick up whatever interests them, and certainly a lot of classical music has absorbed influences from all over the world.
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I have yet to find something that beats the power of being in love, or the power of music at its most magical.
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Music is powered by ideas. If you don't have clarity of ideas, you're just communicating sheer sound.
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I really would like to be involved in things and to understand things, and in some ways you've got to be careful what you wish for because I feel very, very blessed to have such an interesting life and to be able to have little snapshots of lives of people from many different parts of the world.
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Practicing is not only playing your instrument, either by yourself or rehearsing with others - it also includes imagining yourself practicing. Your brain forms the same neural connections and muscle memory whether you are imagining the task or actually doing it.
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I learn something not because I have to, but because I really want to. That's the same view I have for performing. I'm performing because I really want to, not because I have to bring bread back home.
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As you begin to realize that every different type of music, everybody's individual music, has its own rhythm, life, language and heritage, you realize how life changes, and you learn how to be more open and adaptive to what is around us.
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I love grocery shopping when I'm home. That's what makes me feel totally normal. I love both the idea of home as in being with my family and friends, and also the idea of exploration. I think those two are probably my great interests.
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Nobody else can make the sound you make.
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One is that you have to take time, lots of time, to let an idea grow from within. The second is that when you sign on to something, there will be issues of trust, deep trust, the way the members of a string quartet have to trust one another.
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I want to investigate different cultures, to see how their identities and values affect their music. It's one way I can get to know our world, at least to a certain depth.
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Good things happen when you meet strangers.
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The worst thing you can do is say to yourself, I want to be just like somebody else. You have to absorb knowledge from someone else, but ultimately you have to find your own voice.
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As a musician I'm kind of nomadic, Waldo-like. I show up in different places, and I'm witness to unbelievable things.
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With every year of playing, you want to relax one more muscle. Why? Because the more tense you are, the less you can hear.
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When people ask me how they should approach performance, I always tell them the professional musician should aspire to the state of the beginner.
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One of the things I love about music is live performance.
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Many of the Central Asians know Russian, and Ted Levin speaks it fluently. I speak Chinese, but Mongolian is completely different, so we had to have translators.
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Music has always been transnational.
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