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We may be coming to a new golden age of instrument making.
Yo-Yo Ma
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Yo-Yo Ma
Age: 69
Born: 1955
Born: October 7
Actor
Cellist
Composer
Music Pedagogue
Musician
Paris
France
Yo Yo Ma
YoYo Ma
Age
Making
May
Instrument
Golden
Instruments
Coming
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Music has always been transnational people pick up whatever interests them, and certainly a lot of classical music has absorbed influences from all over the world.
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When people ask me how they should approach performance, I always tell them the professional musician should aspire to the state of the beginner.
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When your heart and your mind are engaged, you cannot go wrong.
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I think that peace is, in many ways, a precondition of joy.
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This middle age thing is a little weird. Some friends and mentors are gone, and there's a very forward-looking new generation coming up behind me. So it's very much finding my own place.
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I remember when I was growing up. My great wish was to understand who I was and how I fit in the world.
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Music is powered by ideas. If you don't have clarity of ideas, you're just communicating sheer sound.
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As you begin to realize that every different type of music, everybody's individual music, has its own rhythm, life, language and heritage, you realize how life changes, and you learn how to be more open and adaptive to what is around us.
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Things can fall apart, or threaten to, for many reasons, and then there's got to be a leap of faith. Ultimately, when you're at the edge, you have to go forward or backward if you go forward, you have to jump together.
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When we enlarge our view of the world, we deepen our understanding of our own lives.
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Perfection is not very communicative
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There's a part of me that's always charging ahead. I'm the curious kid, always going to the edge.
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You must have a reason to be in the places to which you go, and you must do only things that you really care about.
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As a musician I'm kind of nomadic, Waldo-like. I show up in different places, and I'm witness to unbelievable things.
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In performance, we have a greater purpose. The greater purpose is that we're communing together, and we want this moment to be really special for all of us. Because otherwise, why bother to have come at all? It's not about proving anything. It's about sharing something.
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I've been traveling all over the world for 25 years, performing, talking to people, studying their cultures and musical instruments, and I always come away with more questions in my head than can be answered.
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You go through phases. You have to reinvent reasons for playing, and one year's answer might not do for another.
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After reaching 50, I began to wonder what the root of life is.
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The thing that I've always been slightly frustrated with, was that the idea of a CD is kind of confined to a material possession that you can put on a shelf. And the idea of music, for me, is always about both the communication and the sharing of content. And so the interactive part is missing.
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It's easy for me to care about Toronto, because Toronto is a community that cares about itself. It represents the world. It talks to itself, and because it does, it figures out that there must be a music garden as part of its existence.
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