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When people ask me how they should approach performance, I always tell them the professional musician should aspire to the state of the beginner.
Yo-Yo Ma
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Yo-Yo Ma
Age: 69
Born: 1955
Born: October 7
Actor
Cellist
Composer
Music Pedagogue
Musician
Paris
France
Yo Yo Ma
YoYo Ma
Always
Performance
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Performances
Musician
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Beginner
State
Beginners
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Professional
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Classical music is one of the best things that ever happened to mankind. If you get introduced to it in the right way, it becomes your friend for life.
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When you learn something from people, or from a culture, you accept it as a gift, and it is your lifelong commitment to preserve it and build on it.
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Music has always been transnational.
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Sharing is a much better way to communicate than proving.
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I love grocery shopping when I'm home. That's what makes me feel totally normal. I love both the idea of home as in being with my family and friends, and also the idea of exploration. I think those two are probably my great interests.
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My involvement in the political arena is to make sure there's a place for culture.
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I think of a piece of music as something that comes alive when it is being performed, and I feel that my role in the transmission of music is to be its best advocate at that moment.
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I want to investigate different cultures, to see how their identities and values affect their music. It's one way I can get to know our world, at least to a certain depth.
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After reaching 50, I began to wonder what the root of life is.
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With every year of playing, you want to relax one more muscle. Why? Because the more tense you are, the less you can hear.
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My teacher, my great cello teacher Leonard Rose, was such a great cellist, and nurturing man, very patient. But I grew up not only admiring him, but obviously Casals, Rostrotovich, Jacqueline du Pre, and many others, including many of my peers and contemporaries.
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I think the purpose of a piece of music is significant when it actually lives in somebody else. A composer puts down a code, and a performer can activate the code in somebody else. Once it lives in somebody else, it can live in others as well.
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A Senegalese poet said 'In the end we will conserve only what we love. We love only what we understand, and we will understand only what we are taught.' We must learn about other cultures in order to understand, in order to love, and in order to preserve our common world heritage.
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I really would like to be involved in things and to understand things, and in some ways you've got to be careful what you wish for because I feel very, very blessed to have such an interesting life and to be able to have little snapshots of lives of people from many different parts of the world.
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Culture opens our hearts to one another. And the currency in culture is not money, but trust.
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I think that peace is, in many ways, a precondition of joy.
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I learn something not because I have to, but because I really want to. That's the same view I have for performing. I'm performing because I really want to, not because I have to bring bread back home.
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Bach takes you to a very quiet place within yourself, to the inner core, a place where you are calm and at peace.
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I've been traveling all over the world for 25 years, performing, talking to people, studying their cultures and musical instruments, and I always come away with more questions in my head than can be answered.
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I realized late in life that my twin passions are music and people.
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