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One of the marks of a great teacher lies not only in an ability to impart knowledge but also in knowing when to encourage a student to go off on his own.
Yo-Yo Ma
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Yo-Yo Ma
Age: 68
Born: 1955
Born: October 7
Actor
Cellist
Composer
Music Pedagogue
Musician
Paris
France
Yo Yo Ma
YoYo Ma
Lying
Torture
Also
Mark
Great
Lies
Students
Teacher
Impart
Knowing
Marks
Knowledge
Encourage
Ability
Student
More quotes by Yo-Yo Ma
I don't always have a five-year plan. One thing you must do in life is keep your learning curve as high as possible.
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Practicing is not only playing your instrument, either by yourself or rehearsing with others - it also includes imagining yourself practicing. Your brain forms the same neural connections and muscle memory whether you are imagining the task or actually doing it.
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When your heart and your mind are engaged, you cannot go wrong.
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One is that you have to take time, lots of time, to let an idea grow from within. The second is that when you sign on to something, there will be issues of trust, deep trust, the way the members of a string quartet have to trust one another.
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Passion is one great force that unleashes creativity, because if you're passionate about something, then you're more willing to take risks.
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Our cultural strength has always been derived from our diversity of understanding and experience.
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Many of the Central Asians know Russian, and Ted Levin speaks it fluently. I speak Chinese, but Mongolian is completely different, so we had to have translators.
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Things can fall apart, or threaten to, for many reasons, and then there's got to be a leap of faith. Ultimately, when you're at the edge, you have to go forward or backward if you go forward, you have to jump together.
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Bach takes you to a very quiet place within yourself, to the inner core, a place where you are calm and at peace.
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Sound is ephemeral, fleeting, but some sort of a physical manifestation can help you hold on to it longer in time. I'm sure of this I've always thought the sound that you make is just the tip of the iceberg, like the person that you see physically is just the tip of the iceberg as well.
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But an innovation, to grow organically from within, has to be based on an intact tradition, so our idea is to bring together musicians who represent all these traditions, in workshops, festivals, and concerts, to see how we can connect with each other in music.
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Nobody else can make the sound you make.
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I remember when I was growing up. My great wish was to understand who I was and how I fit in the world.
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There are limits to how much sound a cello can make. That's part of the framing of acoustical instruments. Finding what those limits might be, and then trying to suggest perhaps even the illusion of going beyond is part of that kind of effort.
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When you learn something from people, or from a culture, you accept it as a gift, and it is your lifelong commitment to preserve it and build on it.
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I have yet to find something that beats the power of being in love, or the power of music at its most magical.
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Each day I move toward that which I do not understand. The result is a continuous accidental learning which constantly shapes my life.
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I want to investigate different cultures, to see how their identities and values affect their music. It's one way I can get to know our world, at least to a certain depth.
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Music is powered by ideas. If you don't have clarity of ideas, you're just communicating sheer sound.
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Once something is memorable, it's living and you're using it. That to me is the foundation of a creative society.
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