Quote

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

Yo-Yo Ma

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Yo-Yo Ma
Age: 69
Born: 1955
Born: October 7
Actor
Cellist
Composer
Music Pedagogue
Musician
Paris
France
Yo Yo Ma
YoYo Ma
Many
Aspect
Components
Years
Directors
Aspects
People
Learned
Filmmaker
Year
Project
Five
Period
Interesting
Writers
Film
Periods
Two
Projects
Collaborating

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With every year of playing, you want to relax one more muscle. Why? Because the more tense you are, the less you can hear.
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My teacher, my great cello teacher Leonard Rose, was such a great cellist, and nurturing man, very patient. But I grew up not only admiring him, but obviously Casals, Rostrotovich, Jacqueline du Pre, and many others, including many of my peers and contemporaries.
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Music is one of the ways we can achieve a kind of shorthand to understand each other.
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The role of the musician is to go from concept to full execution. Put another way, it's to go from understanding the content of something to really learning how to communicate it and make sure it's well-received and lives in somebody else.
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There are limits to how much sound a cello can make. That's part of the framing of acoustical instruments. Finding what those limits might be, and then trying to suggest perhaps even the illusion of going beyond is part of that kind of effort.
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One of the things I love about music is live performance.
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The worst thing you can do is say to yourself, I want to be just like somebody else. You have to absorb knowledge from someone else, but ultimately you have to find your own voice.
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I think one of the great things about being a musician is that you never stop learning.
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Perfection is not very communicative
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I have yet to find something that beats the power of being in love, or the power of music at its most magical.
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I play an instrument that has four strings, and I'm still trying to get it right. What I've tried to do in the process of playing these four strings is to try and understand the people I meet, the stories they have to tell. And then become an advocate for them and their stories through music.
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I think anybody who goes away finds you appreciate home more when you return.
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The tradition of classical music and the opera is such that it used to be the place where social intercourse could take place between all parts of society: politicians, industrialists, artists, citizens, etc. That tradition, I think, still exists, but it's much, much more diluted.
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What came up at age 49 is I realized that of all the things I'm interested in, the thing I'm most interested in is figuring out what makes people tick, why people think the way they do, why they act the way they do. And I realized that music is such a great way to investigate why people do what they do.
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As you begin to realize that every different type of music, everybody's individual music, has its own rhythm, life, language and heritage, you realize how life changes, and you learn how to be more open and adaptive to what is around us.
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When your heart and your mind are engaged, you cannot go wrong.
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It's easy for me to care about Toronto, because Toronto is a community that cares about itself. It represents the world. It talks to itself, and because it does, it figures out that there must be a music garden as part of its existence.
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I think there are so many ways to become interested in music. I believe signs of sustained interest gives a sense of the right time. Music, if thought of as a language, would perhaps indicate that as early as possible is not so bad. I do believe that a really nurturing first teacher that makes the child love something is crucial.
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Music has always been transnational.
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When you learn something from people, or from a culture, you accept it as a gift, and it is your lifelong commitment to preserve it and build on it.
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