Quote

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

Yo-Yo Ma

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Yo-Yo Ma
Age: 69
Born: 1955
Born: October 7
Actor
Cellist
Composer
Music Pedagogue
Musician
Paris
France
Yo Yo Ma
YoYo Ma
People
Learned
Filmmaker
Year
Project
Five
Period
Interesting
Writers
Film
Periods
Two
Projects
Collaborating
Many
Aspect
Components
Years
Directors
Aspects

More quotes by Yo-Yo Ma

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Good things happen when you meet strangers.
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But an innovation, to grow organically from within, has to be based on an intact tradition, so our idea is to bring together musicians who represent all these traditions, in workshops, festivals, and concerts, to see how we can connect with each other in music.
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Each day I move toward that which I do not understand. The result is a continuous accidental learning which constantly shapes my life.
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Sound is ephemeral, fleeting, but some sort of a physical manifestation can help you hold on to it longer in time. I'm sure of this I've always thought the sound that you make is just the tip of the iceberg, like the person that you see physically is just the tip of the iceberg as well.
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You must have a reason to be in the places to which you go, and you must do only things that you really care about.
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I learn something not because I have to, but because I really want to. That's the same view I have for performing. I'm performing because I really want to, not because I have to bring bread back home.
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When you learn something from people, or from a culture, you accept it as a gift, and it is your lifelong commitment to preserve it and build on it.
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We may be coming to a new golden age of instrument making.
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When we have a good balance between thinking and feeling... our actions and lives are always the richer for it.
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One of the things I love about music is live performance.
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In performance, we have a greater purpose. The greater purpose is that we're communing together, and we want this moment to be really special for all of us. Because otherwise, why bother to have come at all? It's not about proving anything. It's about sharing something.
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As you begin to realize that every different type of music, everybody's individual music, has its own rhythm, life, language and heritage, you realize how life changes, and you learn how to be more open and adaptive to what is around us.
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My teacher, my great cello teacher Leonard Rose, was such a great cellist, and nurturing man, very patient. But I grew up not only admiring him, but obviously Casals, Rostrotovich, Jacqueline du Pre, and many others, including many of my peers and contemporaries.
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I have yet to find something that beats the power of being in love, or the power of music at its most magical.
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Jazz has been such a force in music, that any musician, including classical composers, have been influenced, and obviously performers, also.
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Culture opens our hearts to one another. And the currency in culture is not money, but trust.
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Classical music is one of the best things that ever happened to mankind. If you get introduced to it in the right way, it becomes your friend for life.
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I think there are so many ways to become interested in music. I believe signs of sustained interest gives a sense of the right time. Music, if thought of as a language, would perhaps indicate that as early as possible is not so bad. I do believe that a really nurturing first teacher that makes the child love something is crucial.
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Children, in a way, are constant learners. Certainly sponge-like. Absorbing everything without careful analysis, even though, at the same time, they are certainly capable of incredible insights.
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One of the marks of a great teacher lies not only in an ability to impart knowledge but also in knowing when to encourage a student to go off on his own.
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