Quote

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

Yo-Yo Ma

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Yo-Yo Ma
Age: 69
Born: 1955
Born: October 7
Actor
Cellist
Composer
Music Pedagogue
Musician
Paris
France
Yo Yo Ma
YoYo Ma
Many
Aspect
Components
Years
Directors
Aspects
People
Learned
Filmmaker
Year
Project
Five
Period
Interesting
Writers
Film
Periods
Two
Projects
Collaborating

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The tradition of classical music and the opera is such that it used to be the place where social intercourse could take place between all parts of society: politicians, industrialists, artists, citizens, etc. That tradition, I think, still exists, but it's much, much more diluted.
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Each day I move toward that which I do not understand. The result is a continuous accidental learning which constantly shapes my life.
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The tango is really a combination of many cultures, though it eventually became the national music of Argentina.
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I think the purpose of a piece of music is significant when it actually lives in somebody else. A composer puts down a code, and a performer can activate the code in somebody else. Once it lives in somebody else, it can live in others as well.
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I love grocery shopping when I'm home. That's what makes me feel totally normal. I love both the idea of home as in being with my family and friends, and also the idea of exploration. I think those two are probably my great interests.
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Music enhances the education of our children by helping them to make connections and broadening the depth with which they think and feel. If we are to hope for a society of culturally literate people, music must be a vital part of our children's education.
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The role of the musician is to go from concept to full execution. Put another way, it's to go from understanding the content of something to really learning how to communicate it and make sure it's well-received and lives in somebody else.
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I think that peace is, in many ways, a precondition of joy.
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Once something is memorable, it's living and you're using it. That to me is the foundation of a creative society.
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There's a part of me that's always charging ahead. I'm the curious kid, always going to the edge.
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One of the marks of a great teacher lies not only in an ability to impart knowledge but also in knowing when to encourage a student to go off on his own.
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With every year of playing, you want to relax one more muscle. Why? Because the more tense you are, the less you can hear.
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Sharing is a much better way to communicate than proving.
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I play an instrument that has four strings, and I'm still trying to get it right. What I've tried to do in the process of playing these four strings is to try and understand the people I meet, the stories they have to tell. And then become an advocate for them and their stories through music.
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We may be coming to a new golden age of instrument making.
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Things can fall apart, or threaten to, for many reasons, and then there's got to be a leap of faith. Ultimately, when you're at the edge, you have to go forward or backward if you go forward, you have to jump together.
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The worst thing you can do is say to yourself, I want to be just like somebody else. You have to absorb knowledge from someone else, but ultimately you have to find your own voice.
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As a musician I'm kind of nomadic, Waldo-like. I show up in different places, and I'm witness to unbelievable things.
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I think one of the great things about being a musician is that you never stop learning.
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Good things happen when you meet strangers.
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