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One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.
Yo-Yo Ma
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Yo-Yo Ma
Age: 69
Born: 1955
Born: October 7
Actor
Cellist
Composer
Music Pedagogue
Musician
Paris
France
Yo Yo Ma
YoYo Ma
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Project
Five
Period
Interesting
Writers
Film
Periods
Two
Projects
Collaborating
Many
Aspect
Components
Years
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Aspects
People
Learned
Filmmaker
More quotes by Yo-Yo Ma
Perfection is not very communicative
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I realized late in life that my twin passions are music and people.
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Good things happen when you meet strangers.
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As you begin to realize that every different type of music, everybody's individual music, has its own rhythm, life, language and heritage, you realize how life changes, and you learn how to be more open and adaptive to what is around us.
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The role of the musician is to go from concept to full execution. Put another way, it's to go from understanding the content of something to really learning how to communicate it and make sure it's well-received and lives in somebody else.
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I remember when I was growing up. My great wish was to understand who I was and how I fit in the world.
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I play an instrument that has four strings, and I'm still trying to get it right. What I've tried to do in the process of playing these four strings is to try and understand the people I meet, the stories they have to tell. And then become an advocate for them and their stories through music.
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My involvement in the political arena is to make sure there's a place for culture.
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The tradition of classical music and the opera is such that it used to be the place where social intercourse could take place between all parts of society: politicians, industrialists, artists, citizens, etc. That tradition, I think, still exists, but it's much, much more diluted.
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My teacher, my great cello teacher Leonard Rose, was such a great cellist, and nurturing man, very patient. But I grew up not only admiring him, but obviously Casals, Rostrotovich, Jacqueline du Pre, and many others, including many of my peers and contemporaries.
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When people ask me how they should approach performance, I always tell them the professional musician should aspire to the state of the beginner.
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Music enhances the education of our children by helping them to make connections and broadening the depth with which they think and feel. If we are to hope for a society of culturally literate people, music must be a vital part of our children's education.
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We may be coming to a new golden age of instrument making.
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I think that peace is, in many ways, a precondition of joy.
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Culture opens our hearts to one another. And the currency in culture is not money, but trust.
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Nobody else can make the sound you make.
Yo-Yo Ma
I think the purpose of a piece of music is significant when it actually lives in somebody else. A composer puts down a code, and a performer can activate the code in somebody else. Once it lives in somebody else, it can live in others as well.
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A Senegalese poet said 'In the end we will conserve only what we love. We love only what we understand, and we will understand only what we are taught.' We must learn about other cultures in order to understand, in order to love, and in order to preserve our common world heritage.
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This middle age thing is a little weird. Some friends and mentors are gone, and there's a very forward-looking new generation coming up behind me. So it's very much finding my own place.
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I learn something not because I have to, but because I really want to. That's the same view I have for performing. I'm performing because I really want to, not because I have to bring bread back home.
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