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One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.
Yo-Yo Ma
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Yo-Yo Ma
Age: 69
Born: 1955
Born: October 7
Actor
Cellist
Composer
Music Pedagogue
Musician
Paris
France
Yo Yo Ma
YoYo Ma
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Five
Writers
Interesting
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Film
Projects
Collaborating
Two
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Learned
More quotes by Yo-Yo Ma
Jazz has been such a force in music, that any musician, including classical composers, have been influenced, and obviously performers, also.
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I think there are so many ways to become interested in music. I believe signs of sustained interest gives a sense of the right time. Music, if thought of as a language, would perhaps indicate that as early as possible is not so bad. I do believe that a really nurturing first teacher that makes the child love something is crucial.
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In performance, we have a greater purpose. The greater purpose is that we're communing together, and we want this moment to be really special for all of us. Because otherwise, why bother to have come at all? It's not about proving anything. It's about sharing something.
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I want to investigate different cultures, to see how their identities and values affect their music. It's one way I can get to know our world, at least to a certain depth.
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Bach takes you to a very quiet place within yourself, to the inner core, a place where you are calm and at peace.
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Practicing is not only playing your instrument, either by yourself or rehearsing with others - it also includes imagining yourself practicing. Your brain forms the same neural connections and muscle memory whether you are imagining the task or actually doing it.
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There are limits to how much sound a cello can make. That's part of the framing of acoustical instruments. Finding what those limits might be, and then trying to suggest perhaps even the illusion of going beyond is part of that kind of effort.
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I don't always have a five-year plan. One thing you must do in life is keep your learning curve as high as possible.
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I think of a piece of music as something that comes alive when it is being performed, and I feel that my role in the transmission of music is to be its best advocate at that moment.
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People will ask, 'Are you famous?' And I always answer, 'My mother thinks so.'
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Nobody else can make the sound you make.
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The thing that I've always been slightly frustrated with, was that the idea of a CD is kind of confined to a material possession that you can put on a shelf. And the idea of music, for me, is always about both the communication and the sharing of content. And so the interactive part is missing.
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You must have a reason to be in the places to which you go, and you must do only things that you really care about.
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I have yet to find something that beats the power of being in love, or the power of music at its most magical.
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Things can fall apart, or threaten to, for many reasons, and then there's got to be a leap of faith. Ultimately, when you're at the edge, you have to go forward or backward if you go forward, you have to jump together.
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As you begin to realize that every different type of music, everybody's individual music, has its own rhythm, life, language and heritage, you realize how life changes, and you learn how to be more open and adaptive to what is around us.
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When we enlarge our view of the world, we deepen our understanding of our own lives.
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I remember when I was growing up. My great wish was to understand who I was and how I fit in the world.
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The tango is really a combination of many cultures, though it eventually became the national music of Argentina.
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Children, in a way, are constant learners. Certainly sponge-like. Absorbing everything without careful analysis, even though, at the same time, they are certainly capable of incredible insights.
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