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As a child, you respond physically, tactically. You're delighted by sound, you're delighted by recognizing something. It's like hide and seek. Is it there? Is it not there? Is it this note? Is it not this note? It's one fantastic game.
Yo-Yo Ma
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Yo-Yo Ma
Age: 69
Born: 1955
Born: October 7
Actor
Cellist
Composer
Music Pedagogue
Musician
Paris
France
Yo Yo Ma
YoYo Ma
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Notes
Tactically
Seek
Delighted
Game
Recognizing
Child
Note
Games
Physically
Sound
Respond
Children
Hide
Something
Fantastic
More quotes by Yo-Yo Ma
As a musician I'm kind of nomadic, Waldo-like. I show up in different places, and I'm witness to unbelievable things.
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Jazz has been such a force in music, that any musician, including classical composers, have been influenced, and obviously performers, also.
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The tradition of classical music and the opera is such that it used to be the place where social intercourse could take place between all parts of society: politicians, industrialists, artists, citizens, etc. That tradition, I think, still exists, but it's much, much more diluted.
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I play an instrument that has four strings, and I'm still trying to get it right. What I've tried to do in the process of playing these four strings is to try and understand the people I meet, the stories they have to tell. And then become an advocate for them and their stories through music.
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Culture opens our hearts to one another. And the currency in culture is not money, but trust.
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When we have a good balance between thinking and feeling... our actions and lives are always the richer for it.
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I think there are so many ways to become interested in music. I believe signs of sustained interest gives a sense of the right time. Music, if thought of as a language, would perhaps indicate that as early as possible is not so bad. I do believe that a really nurturing first teacher that makes the child love something is crucial.
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One of the things I love about music is live performance.
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The role of the musician is to go from concept to full execution. Put another way, it's to go from understanding the content of something to really learning how to communicate it and make sure it's well-received and lives in somebody else.
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I realized late in life that my twin passions are music and people.
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Once something is memorable, it's living and you're using it. That to me is the foundation of a creative society.
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When your heart and your mind are engaged, you cannot go wrong.
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Our cultural strength has always been derived from our diversity of understanding and experience.
Yo-Yo Ma
Nobody else can make the sound you make.
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I have yet to find something that beats the power of being in love, or the power of music at its most magical.
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When people ask me how they should approach performance, I always tell them the professional musician should aspire to the state of the beginner.
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The tango is really a combination of many cultures, though it eventually became the national music of Argentina.
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You go through phases. You have to reinvent reasons for playing, and one year's answer might not do for another.
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Many of the Central Asians know Russian, and Ted Levin speaks it fluently. I speak Chinese, but Mongolian is completely different, so we had to have translators.
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There are limits to how much sound a cello can make. That's part of the framing of acoustical instruments. Finding what those limits might be, and then trying to suggest perhaps even the illusion of going beyond is part of that kind of effort.
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