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The role of the musician is to go from concept to full execution. Put another way, it's to go from understanding the content of something to really learning how to communicate it and make sure it's well-received and lives in somebody else.
Yo-Yo Ma
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Yo-Yo Ma
Age: 69
Born: 1955
Born: October 7
Actor
Cellist
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Music Pedagogue
Musician
Paris
France
Yo Yo Ma
YoYo Ma
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More quotes by Yo-Yo Ma
When people ask me how they should approach performance, I always tell them the professional musician should aspire to the state of the beginner.
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Many of the Central Asians know Russian, and Ted Levin speaks it fluently. I speak Chinese, but Mongolian is completely different, so we had to have translators.
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People will ask, 'Are you famous?' And I always answer, 'My mother thinks so.'
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But an innovation, to grow organically from within, has to be based on an intact tradition, so our idea is to bring together musicians who represent all these traditions, in workshops, festivals, and concerts, to see how we can connect with each other in music.
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In performance, we have a greater purpose. The greater purpose is that we're communing together, and we want this moment to be really special for all of us. Because otherwise, why bother to have come at all? It's not about proving anything. It's about sharing something.
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As a musician I'm kind of nomadic, Waldo-like. I show up in different places, and I'm witness to unbelievable things.
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When we enlarge our view of the world, we deepen our understanding of our own lives.
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My involvement in the political arena is to make sure there's a place for culture.
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I don't always have a five-year plan. One thing you must do in life is keep your learning curve as high as possible.
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I realized late in life that my twin passions are music and people.
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I learn something not because I have to, but because I really want to. That's the same view I have for performing. I'm performing because I really want to, not because I have to bring bread back home.
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Jazz has been such a force in music, that any musician, including classical composers, have been influenced, and obviously performers, also.
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Music has always been transnational.
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Each day I move toward that which I do not understand. The result is a continuous accidental learning which constantly shapes my life.
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You go through phases. You have to reinvent reasons for playing, and one year's answer might not do for another.
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With every year of playing, you want to relax one more muscle. Why? Because the more tense you are, the less you can hear.
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You must have a reason to be in the places to which you go, and you must do only things that you really care about.
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We may be coming to a new golden age of instrument making.
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When your heart and your mind are engaged, you cannot go wrong.
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When we have a good balance between thinking and feeling... our actions and lives are always the richer for it.
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