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I learn something not because I have to, but because I really want to. That's the same view I have for performing. I'm performing because I really want to, not because I have to bring bread back home.
Yo-Yo Ma
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Yo-Yo Ma
Age: 69
Born: 1955
Born: October 7
Actor
Cellist
Composer
Music Pedagogue
Musician
Paris
France
Yo Yo Ma
YoYo Ma
Really
Bread
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Bring
Learn
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Something
Performing
More quotes by Yo-Yo Ma
I realized late in life that my twin passions are music and people.
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I think there are so many ways to become interested in music. I believe signs of sustained interest gives a sense of the right time. Music, if thought of as a language, would perhaps indicate that as early as possible is not so bad. I do believe that a really nurturing first teacher that makes the child love something is crucial.
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Sharing is a much better way to communicate than proving.
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When you learn something from people, or from a culture, you accept it as a gift, and it is your lifelong commitment to preserve it and build on it.
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I remember when I was growing up. My great wish was to understand who I was and how I fit in the world.
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You go through phases. You have to reinvent reasons for playing, and one year's answer might not do for another.
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Music enhances the education of our children by helping them to make connections and broadening the depth with which they think and feel. If we are to hope for a society of culturally literate people, music must be a vital part of our children's education.
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Many of the Central Asians know Russian, and Ted Levin speaks it fluently. I speak Chinese, but Mongolian is completely different, so we had to have translators.
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My involvement in the political arena is to make sure there's a place for culture.
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Music has always been transnational.
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Classical music is one of the best things that ever happened to mankind. If you get introduced to it in the right way, it becomes your friend for life.
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Nobody else can make the sound you make.
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My teacher, my great cello teacher Leonard Rose, was such a great cellist, and nurturing man, very patient. But I grew up not only admiring him, but obviously Casals, Rostrotovich, Jacqueline du Pre, and many others, including many of my peers and contemporaries.
Yo-Yo Ma
Music is one of the ways we can achieve a kind of shorthand to understand each other.
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I have yet to find something that beats the power of being in love, or the power of music at its most magical.
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The tradition of classical music and the opera is such that it used to be the place where social intercourse could take place between all parts of society: politicians, industrialists, artists, citizens, etc. That tradition, I think, still exists, but it's much, much more diluted.
Yo-Yo Ma
Jazz has been such a force in music, that any musician, including classical composers, have been influenced, and obviously performers, also.
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When people ask me how they should approach performance, I always tell them the professional musician should aspire to the state of the beginner.
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As a musician I'm kind of nomadic, Waldo-like. I show up in different places, and I'm witness to unbelievable things.
Yo-Yo Ma
One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.
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