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As you begin to realize that every different type of music, everybody's individual music, has its own rhythm, life, language and heritage, you realize how life changes, and you learn how to be more open and adaptive to what is around us.
Yo-Yo Ma
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Yo-Yo Ma
Age: 69
Born: 1955
Born: October 7
Actor
Cellist
Composer
Music Pedagogue
Musician
Paris
France
Yo Yo Ma
YoYo Ma
Life
Everybody
Heritage
Learn
Rhythm
Language
Changes
Individual
Begin
Around
Realize
Music
Type
Different
Realizing
Every
Open
Adaptive
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I think anybody who goes away finds you appreciate home more when you return.
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The tradition of classical music and the opera is such that it used to be the place where social intercourse could take place between all parts of society: politicians, industrialists, artists, citizens, etc. That tradition, I think, still exists, but it's much, much more diluted.
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One of the marks of a great teacher lies not only in an ability to impart knowledge but also in knowing when to encourage a student to go off on his own.
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As a child, you respond physically, tactically. You're delighted by sound, you're delighted by recognizing something. It's like hide and seek. Is it there? Is it not there? Is it this note? Is it not this note? It's one fantastic game.
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After reaching 50, I began to wonder what the root of life is.
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Sound is ephemeral, fleeting, but some sort of a physical manifestation can help you hold on to it longer in time. I'm sure of this I've always thought the sound that you make is just the tip of the iceberg, like the person that you see physically is just the tip of the iceberg as well.
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Once something is memorable, it's living and you're using it. That to me is the foundation of a creative society.
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The thing that I've always been slightly frustrated with, was that the idea of a CD is kind of confined to a material possession that you can put on a shelf. And the idea of music, for me, is always about both the communication and the sharing of content. And so the interactive part is missing.
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Practicing is not only playing your instrument, either by yourself or rehearsing with others - it also includes imagining yourself practicing. Your brain forms the same neural connections and muscle memory whether you are imagining the task or actually doing it.
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My involvement in the political arena is to make sure there's a place for culture.
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Music enhances the education of our children by helping them to make connections and broadening the depth with which they think and feel. If we are to hope for a society of culturally literate people, music must be a vital part of our children's education.
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Music is powered by ideas. If you don't have clarity of ideas, you're just communicating sheer sound.
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Nobody else can make the sound you make.
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I think there are so many ways to become interested in music. I believe signs of sustained interest gives a sense of the right time. Music, if thought of as a language, would perhaps indicate that as early as possible is not so bad. I do believe that a really nurturing first teacher that makes the child love something is crucial.
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With every year of playing, you want to relax one more muscle. Why? Because the more tense you are, the less you can hear.
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When people ask me how they should approach performance, I always tell them the professional musician should aspire to the state of the beginner.
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I think one of the great things about being a musician is that you never stop learning.
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I think that peace is, in many ways, a precondition of joy.
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I don't always have a five-year plan. One thing you must do in life is keep your learning curve as high as possible.
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