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If I didn't self-censor, I would be in jail, and then I wouldn't be effective at all.

Yiyun Li

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Yiyun Li
Age: 52
Born: 1972
Born: November 4
Journalist
Screenwriter
University Teacher
Writer
Peking
Didn
Self
Would
Censor
Jail
Effective
Wouldn

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Mrs. Pang was once a nanny for me, and she spoils me the way I imagined kindhearted women would spoil an orphan, loving me for whom I am, exactly the opposite of my mother, whose love I have to earn with great effort and with little success.
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What a long way it is from one life to another: yet why write if not for that distance if things can be let go, every before replaced by an after.
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Regarding heroism, I grew up in a culture where you learn about heroes and heroines all the time. In a way, when you call someone a hero or heroine, it's the same as calling them a villain.
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I always tell my students to go back after a hundred pages and rewrite from the beginning. It's really harder if you've already finished four hundred pages and realize the first hundred aren't working.
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I would never describe a cloud as 'fluffy'—in Chinese or in English.
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The boy will remain a son and never become a father. He will be forgotten by the crowd once his blood is rinsed clean from the ground his sister will think of him but soon she will forget him, too. He will live on only in Han's memory, a child punished not for his own insincerity but someone else's disbelief.
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Overall there may be less censorship in America than in China, but censorship and self-censorship are not only from political pressure, but also pressures from other places in a society.
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I think the isolation in China also has to do with people's memories being wiped out, collective memories as well as individual memories, by the fact that the recent history has been constantly rewritten and revised.
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There are people who are willing to work within the system, and people who don't want to work with the system at all.
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It is a Chinese tradition that everyone has to be in everyone else's life.
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Your characters are always your children. And while you are writing, you're keeping them safe. Now they're ready to go into the world and it's sad. I'm happy with the way the novel came out but all the characters' ending really saddened me.
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Everybody contributes something to the system, and everybody suffers from the system.
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Some people in China don't look at freedom of speech as an abstract ideal, but more as a means to an end.
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There is a certain amount of politeness here in America, which is probably more than just politeness.
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A real dreamer must have a mutual trust with time.
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She wonders if this is what people call falling in love, the desire to be with someone for every minute of the rest of her life so strong that sometimes she is frightened of herself.
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In film, you have to present everything on the screen so it's the opposite of what I usually do with storytelling. It forced me to think about how people walk, where they sit at that moment. With Princess of Nebraska, it was just fun to watch because the movie was so far from the story. It was very much a different story.
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I think our eyes are trained to look for what we want to see.
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Every place is a good place, only time goes wrong.
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You can write about a country without taking a stand, but you cannot write about a country without noting that there's history, and that there's politics going on. To me, that's the same if you write about America. You don't have to write about politics, but the politics have to be present in the characters.
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