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There is a certain amount of politeness here in America, which is probably more than just politeness.

Yiyun Li

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Yiyun Li
Age: 52
Born: 1972
Born: November 4
Journalist
Screenwriter
University Teacher
Writer
Peking
Politeness
Amount
Probably
Certain
America

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I think our eyes are trained to look for what we want to see.
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The boy will remain a son and never become a father. He will be forgotten by the crowd once his blood is rinsed clean from the ground his sister will think of him but soon she will forget him, too. He will live on only in Han's memory, a child punished not for his own insincerity but someone else's disbelief.
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Almost all of the stories in The Matchmaker, the Apprentice, and the Football Fan are told in the first person, yet, depending on the angle and distance of the narrator, they exert different effects. The best are those in which the speaker never poses as an objective outsider. (...) Other stories are damaged by the urge to distance the narrator.
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I would never describe a cloud as 'fluffy'—in Chinese or in English.
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Mrs. Pang was once a nanny for me, and she spoils me the way I imagined kindhearted women would spoil an orphan, loving me for whom I am, exactly the opposite of my mother, whose love I have to earn with great effort and with little success.
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She wonders if this is what people call falling in love, the desire to be with someone for every minute of the rest of her life so strong that sometimes she is frightened of herself.
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To write about a struggle amidst the struggling: one must hope that the muddling will end someday.
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One easy mistake to make with the first novel is to expand the short story. Some things are better as a story you cannot dilute things into a novel. I think the first hundred pages of a novel are very important. That's where you set things up: the world, the characters. Once you've set that up, it'll be much easier.
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Only the smaller fish pay for the goverment's face-lift. The big ones - they just become bigger and fatter.
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Overall there may be less censorship in America than in China, but censorship and self-censorship are not only from political pressure, but also pressures from other places in a society.
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But loneliness is as delusive a belief in the pertinence of the world as is love: in choosing to feel lonely, as in choosing to love, one carves a space next to oneself to be filled by others - a friend, a lover, a toy poodle, a violinist on the radio.
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Chinese people don't care about freedom, but they do care about justice.
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Every place is a good place, only time goes wrong.
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I always tell my students to go back after a hundred pages and rewrite from the beginning. It's really harder if you've already finished four hundred pages and realize the first hundred aren't working.
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You can write about a country without taking a stand, but you cannot write about a country without noting that there's history, and that there's politics going on. To me, that's the same if you write about America. You don't have to write about politics, but the politics have to be present in the characters.
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Some people in China don't look at freedom of speech as an abstract ideal, but more as a means to an end.
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No one is immune from either taking the wrong action or not taking action at all, but the sense that something is completely out of a person's control is stronger in China.
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Even the most innocent person, when cornered, is capable of a heartless crime.
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I think the isolation in China also has to do with people's memories being wiped out, collective memories as well as individual memories, by the fact that the recent history has been constantly rewritten and revised.
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