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It is a Chinese tradition that everyone has to be in everyone else's life.

Yiyun Li

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Yiyun Li
Age: 52
Born: 1972
Born: November 4
Journalist
Screenwriter
University Teacher
Writer
Peking
Chinese
Tradition
Everyone
Else
Life

More quotes by Yiyun Li

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To write about a struggle amidst the struggling: one must hope that the muddling will end someday.
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Even the most innocent person, when cornered, is capable of a heartless crime.
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The decaying that had dragged on for too long had only turned tragedy into nuisance death, when it strikes, better completes its annihilating act on the first try.
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Some people in China don't look at freedom of speech as an abstract ideal, but more as a means to an end.
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I think the isolation in China also has to do with people's memories being wiped out, collective memories as well as individual memories, by the fact that the recent history has been constantly rewritten and revised.
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I would never describe a cloud as 'fluffy'—in Chinese or in English.
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I think our eyes are trained to look for what we want to see.
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I always tell my students to go back after a hundred pages and rewrite from the beginning. It's really harder if you've already finished four hundred pages and realize the first hundred aren't working.
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Every place is a good place, only time goes wrong.
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You can write about a country without taking a stand, but you cannot write about a country without noting that there's history, and that there's politics going on. To me, that's the same if you write about America. You don't have to write about politics, but the politics have to be present in the characters.
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The boy will remain a son and never become a father. He will be forgotten by the crowd once his blood is rinsed clean from the ground his sister will think of him but soon she will forget him, too. He will live on only in Han's memory, a child punished not for his own insincerity but someone else's disbelief.
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But loneliness is as delusive a belief in the pertinence of the world as is love: in choosing to feel lonely, as in choosing to love, one carves a space next to oneself to be filled by others - a friend, a lover, a toy poodle, a violinist on the radio.
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Why do I write about China? That is a very good question. I think there are questions about China that I haven't been able to answer. The reason I write is that there are questions to which I want to find answers - or I want to find questions beyond those questions.
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There are people who are willing to work within the system, and people who don't want to work with the system at all.
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Regarding heroism, I grew up in a culture where you learn about heroes and heroines all the time. In a way, when you call someone a hero or heroine, it's the same as calling them a villain.
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A real dreamer must have a mutual trust with time.
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Only the smaller fish pay for the goverment's face-lift. The big ones - they just become bigger and fatter.
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She wonders if this is what people call falling in love, the desire to be with someone for every minute of the rest of her life so strong that sometimes she is frightened of herself.
Yiyun Li
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Almost all of the stories in The Matchmaker, the Apprentice, and the Football Fan are told in the first person, yet, depending on the angle and distance of the narrator, they exert different effects. The best are those in which the speaker never poses as an objective outsider. (...) Other stories are damaged by the urge to distance the narrator.
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No one is immune from either taking the wrong action or not taking action at all, but the sense that something is completely out of a person's control is stronger in China.
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