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There are people who are willing to work within the system, and people who don't want to work with the system at all.
Yiyun Li
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Yiyun Li
Age: 52
Born: 1972
Born: November 4
Journalist
Screenwriter
University Teacher
Writer
Peking
Willing
System
Within
Work
People
More quotes by Yiyun Li
A real dreamer must have a mutual trust with time.
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But loneliness is as delusive a belief in the pertinence of the world as is love: in choosing to feel lonely, as in choosing to love, one carves a space next to oneself to be filled by others - a friend, a lover, a toy poodle, a violinist on the radio.
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Every place is a good place, only time goes wrong.
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Mrs. Pang was once a nanny for me, and she spoils me the way I imagined kindhearted women would spoil an orphan, loving me for whom I am, exactly the opposite of my mother, whose love I have to earn with great effort and with little success.
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To write about a struggle amidst the struggling: one must hope that the muddling will end someday.
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Almost all of the stories in The Matchmaker, the Apprentice, and the Football Fan are told in the first person, yet, depending on the angle and distance of the narrator, they exert different effects. The best are those in which the speaker never poses as an objective outsider. (...) Other stories are damaged by the urge to distance the narrator.
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The decaying that had dragged on for too long had only turned tragedy into nuisance death, when it strikes, better completes its annihilating act on the first try.
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What is revolution except a systematic way for one species to eat another alive?
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Regarding heroism, I grew up in a culture where you learn about heroes and heroines all the time. In a way, when you call someone a hero or heroine, it's the same as calling them a villain.
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I would never describe a cloud as 'fluffy'—in Chinese or in English.
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You can write about a country without taking a stand, but you cannot write about a country without noting that there's history, and that there's politics going on. To me, that's the same if you write about America. You don't have to write about politics, but the politics have to be present in the characters.
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Chinese people don't care about freedom, but they do care about justice.
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There is a certain amount of politeness here in America, which is probably more than just politeness.
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The boy will remain a son and never become a father. He will be forgotten by the crowd once his blood is rinsed clean from the ground his sister will think of him but soon she will forget him, too. He will live on only in Han's memory, a child punished not for his own insincerity but someone else's disbelief.
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Overall there may be less censorship in America than in China, but censorship and self-censorship are not only from political pressure, but also pressures from other places in a society.
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Everybody contributes something to the system, and everybody suffers from the system.
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She wonders if this is what people call falling in love, the desire to be with someone for every minute of the rest of her life so strong that sometimes she is frightened of herself.
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In film, you have to present everything on the screen so it's the opposite of what I usually do with storytelling. It forced me to think about how people walk, where they sit at that moment. With Princess of Nebraska, it was just fun to watch because the movie was so far from the story. It was very much a different story.
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I think the isolation in China also has to do with people's memories being wiped out, collective memories as well as individual memories, by the fact that the recent history has been constantly rewritten and revised.
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Only the smaller fish pay for the goverment's face-lift. The big ones - they just become bigger and fatter.
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