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Regarding heroism, I grew up in a culture where you learn about heroes and heroines all the time. In a way, when you call someone a hero or heroine, it's the same as calling them a villain.
Yiyun Li
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Yiyun Li
Age: 52
Born: 1972
Born: November 4
Journalist
Screenwriter
University Teacher
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Peking
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Calling
Hero
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More quotes by Yiyun Li
Your characters are always your children. And while you are writing, you're keeping them safe. Now they're ready to go into the world and it's sad. I'm happy with the way the novel came out but all the characters' ending really saddened me.
Yiyun Li
It is a Chinese tradition that everyone has to be in everyone else's life.
Yiyun Li
If I didn't self-censor, I would be in jail, and then I wouldn't be effective at all.
Yiyun Li
She wonders if this is what people call falling in love, the desire to be with someone for every minute of the rest of her life so strong that sometimes she is frightened of herself.
Yiyun Li
I always tell my students to go back after a hundred pages and rewrite from the beginning. It's really harder if you've already finished four hundred pages and realize the first hundred aren't working.
Yiyun Li
Horrible that you could write in a language so well, but have nothing meaningful to say.
Yiyun Li
No one is immune from either taking the wrong action or not taking action at all, but the sense that something is completely out of a person's control is stronger in China.
Yiyun Li
Some people in China don't look at freedom of speech as an abstract ideal, but more as a means to an end.
Yiyun Li
What a long way it is from one life to another: yet why write if not for that distance if things can be let go, every before replaced by an after.
Yiyun Li
I think our eyes are trained to look for what we want to see.
Yiyun Li
To write about a struggle amidst the struggling: one must hope that the muddling will end someday.
Yiyun Li
There is a certain amount of politeness here in America, which is probably more than just politeness.
Yiyun Li
Almost all of the stories in The Matchmaker, the Apprentice, and the Football Fan are told in the first person, yet, depending on the angle and distance of the narrator, they exert different effects. The best are those in which the speaker never poses as an objective outsider. (...) Other stories are damaged by the urge to distance the narrator.
Yiyun Li
In film, you have to present everything on the screen so it's the opposite of what I usually do with storytelling. It forced me to think about how people walk, where they sit at that moment. With Princess of Nebraska, it was just fun to watch because the movie was so far from the story. It was very much a different story.
Yiyun Li
The boy will remain a son and never become a father. He will be forgotten by the crowd once his blood is rinsed clean from the ground his sister will think of him but soon she will forget him, too. He will live on only in Han's memory, a child punished not for his own insincerity but someone else's disbelief.
Yiyun Li
Overall there may be less censorship in America than in China, but censorship and self-censorship are not only from political pressure, but also pressures from other places in a society.
Yiyun Li
A real dreamer must have a mutual trust with time.
Yiyun Li
You can write about a country without taking a stand, but you cannot write about a country without noting that there's history, and that there's politics going on. To me, that's the same if you write about America. You don't have to write about politics, but the politics have to be present in the characters.
Yiyun Li
There are people who are willing to work within the system, and people who don't want to work with the system at all.
Yiyun Li
One easy mistake to make with the first novel is to expand the short story. Some things are better as a story you cannot dilute things into a novel. I think the first hundred pages of a novel are very important. That's where you set things up: the world, the characters. Once you've set that up, it'll be much easier.
Yiyun Li