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Regarding heroism, I grew up in a culture where you learn about heroes and heroines all the time. In a way, when you call someone a hero or heroine, it's the same as calling them a villain.
Yiyun Li
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Yiyun Li
Age: 52
Born: 1972
Born: November 4
Journalist
Screenwriter
University Teacher
Writer
Peking
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More quotes by Yiyun Li
There is a certain amount of politeness here in America, which is probably more than just politeness.
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I always tell my students to go back after a hundred pages and rewrite from the beginning. It's really harder if you've already finished four hundred pages and realize the first hundred aren't working.
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I think the isolation in China also has to do with people's memories being wiped out, collective memories as well as individual memories, by the fact that the recent history has been constantly rewritten and revised.
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Why do I write about China? That is a very good question. I think there are questions about China that I haven't been able to answer. The reason I write is that there are questions to which I want to find answers - or I want to find questions beyond those questions.
Yiyun Li
If I didn't self-censor, I would be in jail, and then I wouldn't be effective at all.
Yiyun Li
Mrs. Pang was once a nanny for me, and she spoils me the way I imagined kindhearted women would spoil an orphan, loving me for whom I am, exactly the opposite of my mother, whose love I have to earn with great effort and with little success.
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It is a Chinese tradition that everyone has to be in everyone else's life.
Yiyun Li
Only the smaller fish pay for the goverment's face-lift. The big ones - they just become bigger and fatter.
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Some people in China don't look at freedom of speech as an abstract ideal, but more as a means to an end.
Yiyun Li
She wonders if this is what people call falling in love, the desire to be with someone for every minute of the rest of her life so strong that sometimes she is frightened of herself.
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Almost all of the stories in The Matchmaker, the Apprentice, and the Football Fan are told in the first person, yet, depending on the angle and distance of the narrator, they exert different effects. The best are those in which the speaker never poses as an objective outsider. (...) Other stories are damaged by the urge to distance the narrator.
Yiyun Li
To write about a struggle amidst the struggling: one must hope that the muddling will end someday.
Yiyun Li
The boy will remain a son and never become a father. He will be forgotten by the crowd once his blood is rinsed clean from the ground his sister will think of him but soon she will forget him, too. He will live on only in Han's memory, a child punished not for his own insincerity but someone else's disbelief.
Yiyun Li
What a long way it is from one life to another: yet why write if not for that distance if things can be let go, every before replaced by an after.
Yiyun Li
But loneliness is as delusive a belief in the pertinence of the world as is love: in choosing to feel lonely, as in choosing to love, one carves a space next to oneself to be filled by others - a friend, a lover, a toy poodle, a violinist on the radio.
Yiyun Li
Your characters are always your children. And while you are writing, you're keeping them safe. Now they're ready to go into the world and it's sad. I'm happy with the way the novel came out but all the characters' ending really saddened me.
Yiyun Li
Everybody contributes something to the system, and everybody suffers from the system.
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In film, you have to present everything on the screen so it's the opposite of what I usually do with storytelling. It forced me to think about how people walk, where they sit at that moment. With Princess of Nebraska, it was just fun to watch because the movie was so far from the story. It was very much a different story.
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Chinese people don't care about freedom, but they do care about justice.
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What is revolution except a systematic way for one species to eat another alive?
Yiyun Li