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Every place is a good place, only time goes wrong.
Yiyun Li
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Yiyun Li
Age: 52
Born: 1972
Born: November 4
Journalist
Screenwriter
University Teacher
Writer
Peking
Good
Time
Goes
Wrong
Place
Every
More quotes by Yiyun Li
No one is immune from either taking the wrong action or not taking action at all, but the sense that something is completely out of a person's control is stronger in China.
Yiyun Li
Mrs. Pang was once a nanny for me, and she spoils me the way I imagined kindhearted women would spoil an orphan, loving me for whom I am, exactly the opposite of my mother, whose love I have to earn with great effort and with little success.
Yiyun Li
What is revolution except a systematic way for one species to eat another alive?
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What a long way it is from one life to another: yet why write if not for that distance if things can be let go, every before replaced by an after.
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I would never describe a cloud as 'fluffy'—in Chinese or in English.
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The decaying that had dragged on for too long had only turned tragedy into nuisance death, when it strikes, better completes its annihilating act on the first try.
Yiyun Li
Only the smaller fish pay for the goverment's face-lift. The big ones - they just become bigger and fatter.
Yiyun Li
I think the isolation in China also has to do with people's memories being wiped out, collective memories as well as individual memories, by the fact that the recent history has been constantly rewritten and revised.
Yiyun Li
I think our eyes are trained to look for what we want to see.
Yiyun Li
There are people who are willing to work within the system, and people who don't want to work with the system at all.
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Everybody contributes something to the system, and everybody suffers from the system.
Yiyun Li
Chinese people don't care about freedom, but they do care about justice.
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Horrible that you could write in a language so well, but have nothing meaningful to say.
Yiyun Li
A real dreamer must have a mutual trust with time.
Yiyun Li
Regarding heroism, I grew up in a culture where you learn about heroes and heroines all the time. In a way, when you call someone a hero or heroine, it's the same as calling them a villain.
Yiyun Li
Almost all of the stories in The Matchmaker, the Apprentice, and the Football Fan are told in the first person, yet, depending on the angle and distance of the narrator, they exert different effects. The best are those in which the speaker never poses as an objective outsider. (...) Other stories are damaged by the urge to distance the narrator.
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She wonders if this is what people call falling in love, the desire to be with someone for every minute of the rest of her life so strong that sometimes she is frightened of herself.
Yiyun Li
If I didn't self-censor, I would be in jail, and then I wouldn't be effective at all.
Yiyun Li
Overall there may be less censorship in America than in China, but censorship and self-censorship are not only from political pressure, but also pressures from other places in a society.
Yiyun Li
One easy mistake to make with the first novel is to expand the short story. Some things are better as a story you cannot dilute things into a novel. I think the first hundred pages of a novel are very important. That's where you set things up: the world, the characters. Once you've set that up, it'll be much easier.
Yiyun Li