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The most effective way of destroying art is the canonization of one given form. And one philosophy.
Yevgeny Zamyatin
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Yevgeny Zamyatin
Age: 53 †
Born: 1884
Born: January 1
Died: 1937
Died: January 1
Author
Engineer
Librettist
Literary Critic
Novelist
Opinion Journalist
Playwright
Prosaist
Satirist
Science Fiction Writer
Screenwriter
Yevgeny Ivanovich Zamyatin
Eugene Zamyatin
Philosophy
Given
Art
Form
Way
Destroying
Effective
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what primitive tastes the ancients must have had if their poets were inspired by those absurd, untidy clumps of mist, idiotically jostling one another about
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What we need in literature today are vast philosophic horizons... we need the most ultimate, the most fearsome, the most fearless Why? and What next?.
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We need writers who fear nothing. (Our Goal)
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And tomorrow--who knows what happens? Do you get it? I don't know and no one knows--it's all unknown! You understand, that this is the end to the Known? This is the new, the improbable, the unpredictable.
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There is no final one revolutions are infinite.
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Knowledge! What does that mean? Your knowledge is nothing but cowardice. No, really, that's all it is. You just want to put a little wall around infinity. And you're afraid to look on the other side of that wall.
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The world is kept alive only by heretics.
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The literature of the immediate future will inevitably turn away from painting, whether respectably realistic or modern, and from daily life, whether old or the very latest and revolutionary, and turn to artistically realized philosophy.
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Explosions are not comfortable.
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To an artist, creating an image means being in love with it.
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Only lifeless mechanisms move along faultlessly straight lines and compass circles. In art the surest way to destroy is to canonize one given form and one philosophy: that which is canonized quickly dies of obesity, of entropy.
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The myth about the angel who rebelled against his Lord is the most beautiful of all myths, the proudest, the most revolutionary, the most immortal of them all.
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The ancient God created the old man, capable of erring - thus he erred himself.
Yevgeny Zamyatin
The inner world: those spiritual apartments to which we are reluctant to admit strangers.
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Crossing out is an art that is, perhaps, even more difficult than writing. It requires the sharpest eye to decide what is superfluous and must be removed. And it requires ruthlessness toward yourself -- the greatest ruthlessness and self-sacrifice. You must know how to sacrifice parts in the name of the whole.
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The knife is the most durable, immortal, the most genius thing that man created. The knife was the guillotine the knife is the universal means of solving all knots and along the blade of a knife lies the path of paradox - the single most worthy path of the fearless mind.
Yevgeny Zamyatin
Along the blade of a knife lies the path of paradox—the single most worthy path of the fearless mind . . . .
Yevgeny Zamyatin
You are afraid of it because it is stronger than you you hate it because you are afraid of it you love it because you cannot subdue it to your will. Only the unsubduable can be loved.
Yevgeny Zamyatin
The most agonising thing is to drop doubt into a man about his being a reality, three-dimensional - and not some other kind of reality.
Yevgeny Zamyatin
If we have no heretics we must invent them, for heresy is essential to health and growth.
Yevgeny Zamyatin