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Leonard de Vinci, for example, is a great artist, but he is living in the past. However, I don't feel John Cage and Matsuzawa Yutaka as artists who live in the past. Their ideas are still alive in our world because they express the very important concerns of our age. That is why I could trust them as contemporary artists.

Yasumasa Morimura

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Yasumasa Morimura
Age: 73
Born: 1951
Born: June 11
Artist
Painter
Photographer
Sculptor
Video Artist
Ōsaka
Morimura Yasumasa
World
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However
Cage
Still
Trust
Cages
Ideas
Example
Concerns
Live
Alive
Contemporary
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Age
John
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Vinci
Great
Past
Concern
Leonard

More quotes by Yasumasa Morimura

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Taking photographs is generally an act of 'looking at the object, whereas 'being seen' or 'showing' is what is most interest to one who does a self-portrait...self-portraits deny not only photography itself but the 20th century as an era as well...an inevitable phenomenon at the end of the 20th century.
Yasumasa Morimura
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This is why there is not any artist who takes Internet as the theme. My position is quite the opposite to the current trend of art, but this is exactly why the title of my exhibition is ART Fahrenheit 451.
Yasumasa Morimura
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By putting a border line between life and death, we separate the world of death from our world of life, casting the dead away into the world of oblivion.
Yasumasa Morimura
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I first wrote down all the phenomena that have emerged in contemporary society that I thought were related to this theme [sea of oblivion], and then sorted them out by grouping them into islands of ideas.
Yasumasa Morimura
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Triennale in the City is a scheme that is of priority for the sponsoring local government. For many local governments, revitalization is an important mission for the local community, and, therefore, the attitude to achieve this mission through the cultural and/or artistic activities should not be denied.
Yasumasa Morimura
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The value of art is its ability to look into the world of oblivion and to find things that are generally unrecognized, forgotten, invisible and impossible to tell.
Yasumasa Morimura
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I put priority on such artists who focus on the world of oblivion and who consider placing themselves into the world of oblivion as fundamental to their attitude for their expression.
Yasumasa Morimura
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Of course, the process of curating is different from art making. Exhibition-making is a process that involves collaboration with various participating artists.
Yasumasa Morimura
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To think about oblivion is to think about what art is.
Yasumasa Morimura
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The artists could be dead, but some of them are not so distant from us, and make us feel as if they are alive with us. Such artists are worth calling contemporary artists.
Yasumasa Morimura
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Art is the ability to turn one's gaze to the world of oblivion. This is the way in which I understand art at fundamental level.
Yasumasa Morimura
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I planned the exhibition so that it becomes a story where the viewer travels through these islands [of ideas]. Whether the contents of each chapter came first or the artist came first in making the decision was different in each case.
Yasumasa Morimura
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Of course, I, like the sponsoring government, would like to have as many people as possible visit Yokohama Triennale. This is because I believe that art should not be monopolized by professionals and specialists.
Yasumasa Morimura
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I think it is important to be aware that the Internet has replaced the television, and has become a place where the uniformity of human society is accelerated.
Yasumasa Morimura
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I have always thought that it would be nice to not complete the exhibition in one place and close off the others as a result. Exhibitions should connect with various locations and promote exchange and interaction.
Yasumasa Morimura
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Art is basically entertainment.
Yasumasa Morimura
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Even Michelangelo and Leonardo da Vinci were entertainers. In that way, I am an entertainer and want to make art that is fun.
Yasumasa Morimura
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When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
Yasumasa Morimura