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The language of prose is very different than the language of cinema, so the movie has to successfully translate what was in the book.

Yann Martel

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Yann Martel
Age: 61
Born: 1963
Born: June 25
Author
Novelist
Prosaist
Screenwriter
Writer
Successfully
Translate
Prose
Cinema
Movie
Language
Book
Different

More quotes by Yann Martel

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Any writer will be happy and good only if they know what they're doing and why they're doing it.
Yann Martel
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In my youth, it was my good luck to have a few good teachers, men and women, who came into my head and lit a match.
Yann Martel
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Socially inferior animals are the ones that make the most strenuous, resourceful efforts to get to know their keepers. They prove to be the ones most faithful to them…it is a fact commonly known in the trade.
Yann Martel
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Books, like people, can't be reduced to the cost of the materials with which they were made. Books, like people, become unique and precious once you get to know them.
Yann Martel
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How do you live with evil? Art is traditionally - certainly with my secular background - the answer, but art is very self-referential, whereas religion claims to go beyond the bounds of human existence.
Yann Martel
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Just do it. Get it down on the page. Work hard. And then let go. Ask yourself why you want to write. You have to be clear about that.
Yann Martel
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Religion is just an alternate way of reading reality - you read material reality, and then you add on an extra layer of religiosity that deepens that understanding of reality. Some countries have lost that capacity, or dismissed it or marginalized it.
Yann Martel
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We think we live in a global village. We don't. The world is a big and beautiful and incredibly varied place. It can only be known locally, with your two feet on the ground. We should stick to our own gardens, as Voltaire said.
Yann Martel
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I am a person who believes in form, in the harmony of order. Where we can, we must give things a meaningful shape.
Yann Martel
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It is a vast country, so that inspires you. It's also the greatest hotel on earth: It welcomes people from everywhere. It's a good country to write from because in many ways Canada is the world.
Yann Martel
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I turned around, stepped over the Zebra and threw myself overboard.
Yann Martel
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I love cinema. I think the risk of the aesthetics being fixed is compensated by other advantages. Cinema is visually powerful, it is a complete experience, reaches different audience. It's something I really like. I like movies.
Yann Martel
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How does one say in the jargon of musicology that my sould was pulled out of me and thrown up in the air, to be tossed about by the music. How does one say that I breathed, that I existed, in harmony with the ups and downs of those notes. What kind of notes both elevate and cast down, exalt and crush?
Yann Martel
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Music is a bird's answer to the noise and heaviness of words. It puts the mind in a state of exhilarated speechlessness.
Yann Martel
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There are always those who take it upon themselves to defend God... These people fail to realize that it is on the inside that God must be defended, not on the outside.
Yann Martel
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Music moves me - duh - and that is like having a window opening on a heightened reality, but the effect is fleeting: When the music ends, the magic, the uplifting, vanishes and the window slams shut. Words, on the other hand, by the nature of how they work, emotions evoked by dint of carefully laid out thoughts, have a more lingering effect.
Yann Martel
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For the first time I noticed - as I would notice repeatedly during my ordeal, between one throe of agony and the next - that my suffering was taking place in a grand setting. I saw my suffering for what it was, finite and insignificant, and I was still. My suffering did not fit anywhere, I realized. And I could accept this. It was all right.
Yann Martel
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If you stumble at mere believability, what are you living for? Isn't love hard to believe?
Yann Martel
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The blackness would stir and eventually go away, and God would remain, a shining point of light in my heart. I would go on loving.
Yann Martel
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The tennis challenger starts strong but soon loses confidence in his playing. The champion racks up the games. But in the final set, when the challenger has nothing left to lose, he becomes relaxed again, insouciant, daring. Suddenly he's playing like the devil and the champion must work hard to get those last points.
Yann Martel