It's not a choice. Either I write or I don't, especially when I'm in a foreign culture. I've lived in London for years, and I must continue my writing and filmmaking. The most important thing for an artist or an author is to continue her work. Languages and settings are the tools but not the first thing.

Its important to be comfortable with uncertainty.

I thought English is a strange language. Now I think French is even more strange. In France, their fish is poisson, their bread is pain, and their pancake is crepe. Pain and poison and crap. That's what they have every day.

About time, what I really learned from studying English is: time is different with timing. I understand the difference of these two words so well. I understand falling in love with the right person in the wrong timing could be the greatest sadness in a person's entire life.

Huizi would say, never look back to the past. Never regret. Even if there is emptiness ahead, never look back.

I do think there will be a better understanding between the two sides - East and West. And eventually, the so-called two sides will disappear, and there will only be the conflict between those with power and those without it.

It's the heart afraid of breaking that never learns to dance.

Self-censorship happens not only in China, or Iran or ex-Soviet places. It can happen anywhere. If an artist penetrates a certain taboo or a certain power through their work, he or she will face this problem. I'm always saying that commercial censorship is our foremost censorship globally today. Why do we still pretend we are free?

But why people need privacy? Why privacy is important? In China, every family live together, grandparents, parents, daughter, son and their relatives too. Eat together and share everything, talk about everything. Privacy make people lonely. Privacy make family fallen apart.

Somehow, in the novel format, I don't really like to do upfront, ideological discussion. In my heart, literature remains a poetic and ambiguous medium. On the other hand, I trained as a documentary filmmaker in film school, so my films very much reflect reality and socio-political problems. They're less subtle I would say.

I don't feel naked around you anymore.

Never look back to the past, never regret, even if there is emptiness ahead.' But I couldn't help it. Sometimes I would rather look back if it meant that I could feel something in my heart, even something sad. Sadness was better than emptiness.

I’m saying language is a passport. A dubious, dangerous passport too.