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The bandstand is a sacred place.

Wynton Marsalis

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Wynton Marsalis
Age: 63
Born: 1961
Born: October 18
Bandleader
Composer
Conductor
Jazz Musician
Trumpeter
New Orleans
Louisiana
Wynton Learson Marsalis
Bandstand
Jazz
Sacred
Place

More quotes by Wynton Marsalis

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I'm not a person who writes really abstract things with oblique references. I look at abstraction like I look at condiments. Give me some Tabasco sauce, some ketchup, some mayonnaise. I love all of that. Put it on a trumpet. I've just got to have the ketchup and Tabasco sauce. That's my attitude about musical philosophy.
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What is deeper than respect and love? That’s what we felt: veneration.
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This music heals people because music is vibration, and the proper vibration heals.
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And that's the soulful thing about playing: you offer something to somebody. You don't know if they'll like it, but you offer it.
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Jazz music is the power of now. There is no script. It's conversation. The emotion is given to you by musicians as they make split-second decisions to fulfill what they feel the moment requires.
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Nothing else will ever capture the democratic process in sound as perfectly as Jazz.
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Because the blues is the basis of most American music in the 20th century. It's a 12-bar form that's played by jazz, bluegrass and country musicians. It has a rhythmic vocabulary that's been used by rock n' roll. It's related to spirituals, and even the American fiddle tradition.
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Humility is the doorway 2 truth & clarity of objectives... it's the doorway 2 learning.
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If you are serious about American culture and you are serious about Afro-American culture, you are in a lot of pain. You are not - you are not smiling about it.
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What I really have in my head, my imagination, my understanding of music, I never really get that out.
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How great musicians demonstrate a mutual respect and trust on the bandstand can alter your outlook on the world and enrich every aspect of your life, understanding what it means to be a global citizen in the most modern sense.
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Many of our greatest musicians abandoned all of their aesthetic objectives to try to become pertinent. And, at the end of the day, they never became pop stars. I counter stated that very strongly, and I continue to do that.
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The blues. It runs through all American music. Somebody bending the note. The other is the two-beat groove. It's in New Orleans music, it's in jazz, it's in country music, it's in gospel.
Wynton Marsalis
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Thank the good Lord for a job.
Wynton Marsalis
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The history of jazz lets us know that this period in our history is not the only period we've come through together. If we truly understood the history of our national arts, we'd know that we have mutual aspirations, a shared history, in good times and bad.
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I never minded giving my opinions. They are just opinions, and I had studied music and I had strong feelings. I was happy for my opinions to join all the other opinions. But you have to be prepared for what comes back, especially if you don't agree with the dominant mythology.
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We always hear about the rights of democracy, but the major responsibility of it is participation.
Wynton Marsalis
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We looked up to our father. He still is much greater than us.
Wynton Marsalis
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When I did the Abyssinian mass, I went through the whole history of the church music and the gospel music, even with the Anglo American hymns, the Afro American hymns, the spirituals and how it developed, up to Thomas Dorsey and the Dixie Hummingbirds, going through the history of the music, jazz musicians.
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Benny Goodman's band was integrated before baseball. Even before it was physically integrated, music was integrated. Everyone listened to Armstrong and Ellington. The 20s was called the Jazz Age. It's part of being American.
Wynton Marsalis