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Sustained intensity equals ecstacy.

Wynton Marsalis

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Wynton Marsalis
Age: 63
Born: 1961
Born: October 18
Bandleader
Composer
Conductor
Jazz Musician
Trumpeter
New Orleans
Louisiana
Wynton Learson Marsalis
Intensity
Jazz
Ecstacy
Equals
Sustained

More quotes by Wynton Marsalis

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The best way to be, is to do.
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It's important to address young people in the reopening of New Orleans. In rebuilding, let's revisit the potential of American democracy and American glory.
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I have friends who will critique me much harder than any review.
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You need a team. You need people to push you. You need opponents.
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In Jazz, improvisation isn't a matter of just making any ol' thing up. Jazz, like any language, has its own grammer and vocabulary. There's no right or wrong, just some choices that are better than others.
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My daddy expected that my brothers and I and our generation would make the world a better place. He had lived in an America of continual social progress.
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The reason why the music [jazz] is important is because it's an art form-an ancient art form-that takes in the mythology of our people.
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Louis Armstrong is jazz. He represents what the music is all about.
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We need more math classes, we need more science. It's the art of math and the art of science that creates all the innovation, and we have a tradition of great arts, great music.
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I feel that for years of teaching in the country and reading criticism in books, I feel like the things most needed in our culture are the understanding of the meanings of our music. We haven't done that good of job teaching our kids what our music means or how we developed our taste in music that reminds us and teaches us who we are.
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There is an idea that a mind is wasted on the arts unless it makes you good in math or science. There is some evidence that the arts might help you in math and science.
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Flexibility is an essential part of Jazz. It's what gives Jazz music the ability to combine with all other types of music and not lose its identity.
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When me and my brother would go to see our daddy playing, there'd be 30 people in the audience. I was only 14 or 15, but I realised something was wrong.
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I remember when I wrote a piece, Blood on the Fields, it was a while ago, it was about slavery and about two characters, and I studied so much of music, I would always go back to the original documents, and as much as I can get original chants and slave chants and different type of beats and rhythms and ring shout.
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Jazz comes from our way of life, and because it's our national art form, it helps us to understand who we are.
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I got my first trumpet when I was six years old, from Al Hirt. My father was playing in Al Hirt's band at that time.
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There really have only ever been a few people in each generation who step out, are willing to put themselves on the line, and risk everything for their beliefs.
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Trumpet players see each other, and it's like we're getting ready to square off or get into a fight or something.
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Music is always for the listener, but the first listener is always the musician
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New Orleans - the real New Orleans - is the soul of the country.
Wynton Marsalis