Quote

Some stances are just conducive to swinging. If I stand up straight for too long it's harder to swing. Plus my feet hurt.

Wynton Marsalis

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Wynton Marsalis
Age: 63
Born: 1961
Born: October 18
Bandleader
Composer
Conductor
Jazz Musician
Trumpeter
New Orleans
Louisiana
Wynton Learson Marsalis
Long
Swings
Plus
Straight
Jazz
Stances
Harder
Conducive
Feet
Swinging
Stand
Stance
Hurt
Swing

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I always like to play very contemporary concepts of swing right next to New Orleans music because it highlights continuum.
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When I was 12, I began listening to John Coltrane and I developed a love for jazz, which I still have more and more each year.
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My older brother and myself always played together in bands, but we never knew we would be professional musicians.
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We always hear about the rights of democracy, but the major responsibility of it is participation.
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What I really have in my head, my imagination, my understanding of music, I never really get that out.
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We all teach from that same frame of reference. We're like neighborhood - the people who have had the opportunity through this music to gain a platform and spread the message of this music, which is basically love in a form of communication that's honest and truthful.
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If you looked around, you'd be glad you couldn't see.
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I never minded giving my opinions. They are just opinions, and I had studied music and I had strong feelings. I was happy for my opinions to join all the other opinions. But you have to be prepared for what comes back, especially if you don't agree with the dominant mythology.
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There's the tradition in jazz of having the “Battle of the Bands” and you do not want to get your head cut when you're playing.
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I always read all these books about the slaves. My mother is very educated. My father would talk to us like we were grown men. We never knew what he was talking about half the time.
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I'm just lucky to have the type of friends and musicians and people dedicated to my music that I do.
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Jazz is not just 'Well, man, this is what I feel like playing.' It's a very structured thing that comes down from a tradition and requires a lot of thought and study.
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Art is a luxury. It's not necessary for you to - you can work your job and you can make some money and never know who Walt Whitman was, and never read a poem.
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I feel like a lot of the fundamental material, I've assimilated. So now the question is: Am I going to really get into my spiritual inheritance of music and really develop my abilities?
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My thing is, once you start to put a backbeat on your music or something that has a machine in it, you have popularity, but you lose the flexibility. And you lose a richness.
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I feel that for years of teaching in the country and reading criticism in books, I feel like the things most needed in our culture are the understanding of the meanings of our music. We haven't done that good of job teaching our kids what our music means or how we developed our taste in music that reminds us and teaches us who we are.
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The reason why the music [jazz] is important is because it's an art form-an ancient art form-that takes in the mythology of our people.
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When I first came to New York everybody on the scene would treat me like I could play but I couldn't.
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Don't wish for someone else to do later what you can do now.
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In the Jazz at Lincoln Center Orchestra we play such a diversity of music, with 10 arrangers in the band, we don't really worry about whether it's contemporary or not.
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