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Some stances are just conducive to swinging. If I stand up straight for too long it's harder to swing. Plus my feet hurt.

Wynton Marsalis

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Wynton Marsalis
Age: 63
Born: 1961
Born: October 18
Bandleader
Composer
Conductor
Jazz Musician
Trumpeter
New Orleans
Louisiana
Wynton Learson Marsalis
Plus
Straight
Jazz
Stances
Harder
Conducive
Feet
Swinging
Stand
Stance
Hurt
Swing
Long
Swings

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I grew up in the South, in New Orleans, where guys torture you all the time. So I didn't really grow up on the self-esteem campaign. When you were lousy at something, they told you you were lousy, and they told you how to fix it.
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How great musicians demonstrate a mutual respect and trust on the bandstand can alter your outlook on the world and enrich every aspect of your life, understanding what it means to be a global citizen in the most modern sense.
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Humility is the doorway 2 truth & clarity of objectives... it's the doorway 2 learning.
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Young kids are always singing and painting. When you get to that second and third grade level, you're supposed to put all that aside.
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Jazz music creates so many phenomenal figures.
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Ethics are more important than laws.
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And that's the soulful thing about playing: you offer something to somebody. You don't know if they'll like it, but you offer it.
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Those who play for applause....Tha t’s all they get.
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Through improvisation, jazz teaches you about yourself. And through swing, it teaches you that other people are individuals too. It teaches you how to coordinate with them.
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We learn a language through its song, and even if you don't have music you have the song of people you love's voice, and you'll notice that song in their voice.
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The blues is always there. It's going to be hard out here, but it's all right. It's all right, and that's what the blues teaches you. You got to roll with the punches and find your equilibrium.
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A beat is a moment in the life a groove.
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Only a few act - the rest of us reap the benefits of their risk.
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I had to figure out how to survive in New York, and most of my time was occupied in getting an apartment and getting money. A lot of older jazz guys looked out for me and found me gigs and places to stay.
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It was Dr. King's tireless activism that fostered our modern way of relating to one another.
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And my identity...I never really wondered about it because, unfortunately, I sounded like myself. People be saying I sound like Miles or Clifford Brown.
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Many of our greatest musicians abandoned all of their aesthetic objectives to try to become pertinent. And, at the end of the day, they never became pop stars. I counter stated that very strongly, and I continue to do that.
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In the Jazz at Lincoln Center Orchestra we play such a diversity of music, with 10 arrangers in the band, we don't really worry about whether it's contemporary or not.
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Even in these times, there are still neighbors that will turn their backs on neighbors.
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