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I always read all these books about the slaves. My mother is very educated. My father would talk to us like we were grown men. We never knew what he was talking about half the time.
Wynton Marsalis
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Wynton Marsalis
Age: 63
Born: 1961
Born: October 18
Bandleader
Composer
Conductor
Jazz Musician
Trumpeter
New Orleans
Louisiana
Wynton Learson Marsalis
Would
Talking
Men
Half
Slaves
Time
Read
Grown
Like
Father
Educated
Mother
Slave
Book
Knew
Always
Books
Never
Talk
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And that's the soulful thing about playing: you offer something to somebody. You don't know if they'll like it, but you offer it.
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The real power of Jazz is that a group of people can come together and create improvised art and negotiate their agendas... and that negotiation is the art
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Maybe the preoccupation with technological progress has overshadowed our concern with human progress.
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Love is the spiritual essence of what we do. Technique is the manifestation of the preparation and investment as a result of the love.
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If you didn't have the amalgam of Blacks and African-type sensibility and European sensibility, you wouldn't have jazz. Even in the negative and in the positive ways - if there was no slavery and the abolition of slavery, there would be no jazz.
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Even in these times, there are still neighbors that will turn their backs on neighbors.
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Louis Armstrong is jazz. He represents what the music is all about.
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I dress up a certain way because I respect the music.
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We all teach from that same frame of reference. We're like neighborhood - the people who have had the opportunity through this music to gain a platform and spread the message of this music, which is basically love in a form of communication that's honest and truthful.
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The majority of the high schools and the public schools in N.Y.C. don't even have band programs. Hip-hop in a lot of ways is an outgrowth of a lack of instruments and a desire to play music, so we can't really fault the kids for that.
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Young kids are always singing and painting. When you get to that second and third grade level, you're supposed to put all that aside.
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It's like we're suffering from an identity crisis, and that identity is in our arts and the fact that we don't find it chief amongst our agendas to teach our kids who we are as a nation and the battles we've had on this ground and how they've been successfully resolved. We can't enjoy the fruits of the labor of our ancestors.
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Benny Goodman's band was integrated before baseball. Even before it was physically integrated, music was integrated. Everyone listened to Armstrong and Ellington. The 20s was called the Jazz Age. It's part of being American.
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The black hole in democracy is integrity. The great unspoken is integrity. When integrity is not first and foremost, it's quite palpable but not visible. It's always there. Jazz highlights it because musicians and jazz always represented a high level of integrity.
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I have absolutely no idea what my generation did to enrich our democracy. We dropped the ball. We entered a period of complacency and closed our eyes to the public corruption of our democracy.
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It was Dr. King's tireless activism that fostered our modern way of relating to one another.
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Our culture is what we did together. What did Walt Whitman represent for all of us? What was his message to us? That is an inheritance, and when we squander that inheritance we act outside. We don't know who we are we don't know where we are.
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The arts shows that you're civilized, and it makes life sweet. So you can exist and you can buy more things and you can be more - we're dealing with a form of commercialism that obscures a prior relationship to quality, and it's a national problem.
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We need more math classes, we need more science. It's the art of math and the art of science that creates all the innovation, and we have a tradition of great arts, great music.
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I almost never watch TV, except for '60 Minutes' and pro football. I love Drew Brees, the Manning brothers and the Steelers' linebackers.
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