Quote

It's important to address young people in the reopening of New Orleans. In rebuilding, let's revisit the potential of American democracy and American glory.

Wynton Marsalis

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Wynton Marsalis
Age: 63
Born: 1961
Born: October 18
Bandleader
Composer
Conductor
Jazz Musician
Trumpeter
New Orleans
Louisiana
Wynton Learson Marsalis
Addresses
Potential
Glory
Democracy
American
Revisit
Young
Rebuilding
Important
Orleans
People
Address

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Music is always for the listener, but the first listener is always the musician
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Commercialism that has absolutely no relationship to quality whatsoever, only quantitative assessment of a thing.
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There's always the cliche of the choir shouting and clapping. OK, you have to do that, but there's also introspective parts, parts where you just follow someone that's preaching. There's lots of different emotions and moods that a service requires.
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This rebuilding of New Orleans gives us the perfect opportunity to see if we're ready to extend the legacy of Dr. King.
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Many a revolution started with the actions of a few. Only 56 men signed the Declaration of Independence. A few hanging together can lead a nation to change.
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Walt Whitman's Leaves of Grass is still in print. They're debating right now over Mark Twain. He's still available. Winslow Homer can still be seen. Our arts are - they're there. We got to go get them and understand that this is an important legacy for our country.
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Only a few act - the rest of us reap the benefits of their risk.
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The black hole in democracy is integrity. The great unspoken is integrity. When integrity is not first and foremost, it's quite palpable but not visible. It's always there. Jazz highlights it because musicians and jazz always represented a high level of integrity.
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Even in these times, there are still neighbors that will turn their backs on neighbors.
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The musicians I respected were much older than me. I expected them to cut my head, and they did.
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The history of jazz lets us know that this period in our history is not the only period we've come through together. If we truly understood the history of our national arts, we'd know that we have mutual aspirations, a shared history, in good times and bad.
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It's really not a stretch. The checks and balances are the same. The drums are the executive branch. The jazz orchestra is the legislative branch. Logic and reason are like jazz solos. The bass player is the judicial branch. One our greatest ever is Milt Hinton, and his nickname is The Judge.
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My mother always took my brothers and me to music lessons. There were six children. Our parents attended our concerts and encouraged us to study and enjoy many different types of music.
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Art is a luxury. It's not necessary for you to - you can work your job and you can make some money and never know who Walt Whitman was, and never read a poem.
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Don't bullshit' just play.
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When I say our, I definitely mean all of America. It's not less pertinent for you because it comes from a Black person, just like a great achievement by an Anglo American is less important.
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There's the tradition in jazz of having the “Battle of the Bands” and you do not want to get your head cut when you're playing.
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The only justification for looking down on anyone is that you're going to stop and pick them up.
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What, other than injustice, could be the reason that the displaced citizens of New Orleans cannot be accommodated by the richest nation in the world?
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In Jazz, improvisation isn't a matter of just making any ol' thing up. Jazz, like any language, has its own grammer and vocabulary. There's no right or wrong, just some choices that are better than others.
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