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Don't worry about what others say about your music. Pursue whatever you are hearing... but if everybody really hates your music maybe you could try some different approaches.

Wynton Marsalis

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Wynton Marsalis
Age: 63
Born: 1961
Born: October 18
Bandleader
Composer
Conductor
Jazz Musician
Trumpeter
New Orleans
Louisiana
Wynton Learson Marsalis
Whatever
Approaches
Hate
Hates
Others
Pursue
Music
Hearing
Different
Approach
Trying
Worry
Really
Everybody
Maybe

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This music heals people because music is vibration, and the proper vibration heals.
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It's like we're suffering from an identity crisis, and that identity is in our arts and the fact that we don't find it chief amongst our agendas to teach our kids who we are as a nation and the battles we've had on this ground and how they've been successfully resolved. We can't enjoy the fruits of the labor of our ancestors.
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So when we spend all of our time trying to separate that which is already joined, it's a waste of time.
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Nothing else will ever capture the democratic process in sound as perfectly as Jazz.
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The majority of the high schools and the public schools in N.Y.C. don't even have band programs. Hip-hop in a lot of ways is an outgrowth of a lack of instruments and a desire to play music, so we can't really fault the kids for that.
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We don't have the leadership or the understanding of the value of this, and when your political systems and your economic systems start to fail, it's only a cultural understanding that allows you to reconstruct them and to get back to who you are. For some reason, it hasn't dawned on us yet.
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Don't settle for style. Succeed in substance.
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There are forces all around you who wish to exploit division, rob you of your freedom, and tell you what to think. But young folks can rekindle the weary spirit of a slumbering nation.
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The musicians I respected were much older than me. I expected them to cut my head, and they did.
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Ethics are more important than laws.
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When me and my brother would go to see our daddy playing, there'd be 30 people in the audience. I was only 14 or 15, but I realised something was wrong.
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It's our job to just do as much as we can to enlighten the people about it and to represent it by playing it with some integrity. That's what I try to do.
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There's so much spirit of integration and democracy in jazz.
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There was one thing Beethoven didn't do. When one of his string quartets was played, you can believe the second violin wasn't improvising.
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There's the tradition in jazz of having the “Battle of the Bands” and you do not want to get your head cut when you're playing.
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One thing about excellence, it&Mac226s an exclusive club. And it&Mac226s only for those who really want to pay dues to the s--. My daddy told me when I was a boy: The only way you can be different from other people is to do some s-- they don't want to do.
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A beat is a moment in the life a groove.
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If you didn't have the amalgam of Blacks and African-type sensibility and European sensibility, you wouldn't have jazz. Even in the negative and in the positive ways - if there was no slavery and the abolition of slavery, there would be no jazz.
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I wanted to make somebody feel like Coltrane made me feel, listening to it.
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New Orleans - the real New Orleans - is the soul of the country.
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