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The rebuilding of New Orleans is an important point in the history of the United States.

Wynton Marsalis

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Wynton Marsalis
Age: 63
Born: 1961
Born: October 18
Bandleader
Composer
Conductor
Jazz Musician
Trumpeter
New Orleans
Louisiana
Wynton Learson Marsalis
Rebuilding
Orleans
Point
United
History
States
Important

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Only a few act - the rest of us reap the benefits of their risk.
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I wanted to make somebody feel like Coltrane made me feel, listening to it.
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Jazz is democracy in music.
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Music is the art of all the invisible things that are real. Art, emotion, spiritual essence, consciousness - these things are hard to prove. Music helps you to focus on your sound. We understand that for very young kids.
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The people are not coming because of me. They didn't come before me. It's because of a lack of education and understanding, so it makes me more motivated. It's like my mother said about having an artistic child - she learned more from him and he gets more attention and more of the love, not less.
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The Duke and Swing represent affirmation in the face of adversity.
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When me and my brother would go to see our daddy playing, there'd be 30 people in the audience. I was only 14 or 15, but I realised something was wrong.
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The first time I ever played the trumpet in public, I played the Marine Hymn. I sounded terrible.
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Benny Goodman's band was integrated before baseball. Even before it was physically integrated, music was integrated. Everyone listened to Armstrong and Ellington. The 20s was called the Jazz Age. It's part of being American.
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I remember when I wrote a piece, Blood on the Fields, it was a while ago, it was about slavery and about two characters, and I studied so much of music, I would always go back to the original documents, and as much as I can get original chants and slave chants and different type of beats and rhythms and ring shout.
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When did we begin to lose faith in our ability to effect change?
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The young very seldom lead anything in our country today. It's been quite some time since a younger generation pushed an older one to a higher standard.
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I feel that for years of teaching in the country and reading criticism in books, I feel like the things most needed in our culture are the understanding of the meanings of our music. We haven't done that good of job teaching our kids what our music means or how we developed our taste in music that reminds us and teaches us who we are.
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What I really have in my head, my imagination, my understanding of music, I never really get that out.
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I always like to play very contemporary concepts of swing right next to New Orleans music because it highlights continuum.
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It was Dr. King's tireless activism that fostered our modern way of relating to one another.
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I had to figure out how to survive in New York, and most of my time was occupied in getting an apartment and getting money. A lot of older jazz guys looked out for me and found me gigs and places to stay.
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We all teach from that same frame of reference. We're like neighborhood - the people who have had the opportunity through this music to gain a platform and spread the message of this music, which is basically love in a form of communication that's honest and truthful.
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Certain music, jazz in particular, has the ability to make you a better citizen of the world. It helps you expand your world view and gives you more confidence in your cultural achievements. Improvisational jazz teaches you about yourself while the swing in jazz teaches you how to work with others
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Everything about the swing is about some guideline and some grid and the elegant way that you negotiate your way through that grid.
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