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I play piano and drums very poorly and French horn and tuba all equally as bad.

Wynton Marsalis

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Wynton Marsalis
Age: 63
Born: 1961
Born: October 18
Bandleader
Composer
Conductor
Jazz Musician
Trumpeter
New Orleans
Louisiana
Wynton Learson Marsalis
French
Piano
Tubas
Play
Tuba
Horn
Poorly
Drums
Horns
Equally

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My schedule is always tight. But I like to have the pressure of having to finish doing something it gives me an added edge.
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We always hear about the rights of democracy, but the major responsibility of it is participation.
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Music is always for the listener, but the first listener is always the musician
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There's so much spirit of integration and democracy in jazz.
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The black hole in democracy is integrity. The great unspoken is integrity. When integrity is not first and foremost, it's quite palpable but not visible. It's always there. Jazz highlights it because musicians and jazz always represented a high level of integrity.
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The bandstand is a sacred place.
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You don't try to duplicate certain things that other cats do, because you could never do it as well as they do. Nobody can get on that tenor saxophone and play like Trane, because he's the only one who can spell out chords and sound good when he does it.
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Many a revolution started with the actions of a few. Only 56 men signed the Declaration of Independence. A few hanging together can lead a nation to change.
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Those who play for applause....Tha t’s all they get.
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My older brother and myself always played together in bands, but we never knew we would be professional musicians.
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Music is the art of all the invisible things that are real. Art, emotion, spiritual essence, consciousness - these things are hard to prove. Music helps you to focus on your sound. We understand that for very young kids.
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The real power of Jazz is that a group of people can come together and create improvised art and negotiate their agendas... and that negotiation is the art
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When it comes to songs and music, yeah, people love to sing and dance and play music and tunes, and that stream of consciousness that exists in music, nobody knows where that comes from.
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My mother always took my brothers and me to music lessons. There were six children. Our parents attended our concerts and encouraged us to study and enjoy many different types of music.
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The musicians I respected were much older than me. I expected them to cut my head, and they did.
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The best way to be, is to do.
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We all teach from that same frame of reference. We're like neighborhood - the people who have had the opportunity through this music to gain a platform and spread the message of this music, which is basically love in a form of communication that's honest and truthful.
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I try to find the core values that are so fundamental that they transcend ethnic identity. That doesn't mean I run from it. I embrace African-American culture and I love it and embrace it, but it is a part of a human identity. So I'm always trying to make a larger human statement.
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There was one thing Beethoven didn't do. When one of his string quartets was played, you can believe the second violin wasn't improvising.
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Let the critics criticize and let the doers do.
Wynton Marsalis