Quote

What, other than injustice, could be the reason that the displaced citizens of New Orleans cannot be accommodated by the richest nation in the world?

Wynton Marsalis

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Wynton Marsalis
Age: 63
Born: 1961
Born: October 18
Bandleader
Composer
Conductor
Jazz Musician
Trumpeter
New Orleans
Louisiana
Wynton Learson Marsalis
Cannot
Accommodated
Reason
Displaced
World
Richest
Orleans
Injustice
Citizens
Nation
Nations

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Everything comes out in blues music: joy , pain , struggle . Blues is affirmation with absolute elegance.
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I'll write down and catalogue all the different devices that are Americana to me, and I try to have a historic depth and breadth and also the things that we do in our time, the type of vamps and chants, things that are available to us.
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Jazz celebrates older generations and not just the youth movement. When you sell only to people of a certain age, you get cut off from the main body of experience. The power of couple dancing and courtship, it's elegant, and you wouldn't realize America was once a nation of dancers and singers today. People of all races could dance and sing.
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Love is the spiritual essence of what we do. Technique is the manifestation of the preparation and investment as a result of the love.
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For Black people, we're one of the only groups of people that for some reason to express love of yourself, in some ways, is misconstrued as a dislike for someone else.
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You need a team. You need people to push you. You need opponents.
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If you didn't have the amalgam of Blacks and African-type sensibility and European sensibility, you wouldn't have jazz. Even in the negative and in the positive ways - if there was no slavery and the abolition of slavery, there would be no jazz.
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Grace Kelly plays with intelligence, wit and feeling. She has a great amount of natural ability and the ability to adapt. That is the hallmark of a first-class jazz musician.
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We looked up to our father. He still is much greater than us.
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I play piano and drums very poorly and French horn and tuba all equally as bad.
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Whenever you face a man who's playing your instrument, there's a competition.
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I think that the blues is in everything, so it's not possible to neglect it. You hear somebody go 'Ooh ooh oooh,' and that's the blues. You hear a rock n' roll song. That's the blues. Somebody playing a guitar solo? They're playing the blues.
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Because the blues is the basis of most American music in the 20th century. It's a 12-bar form that's played by jazz, bluegrass and country musicians. It has a rhythmic vocabulary that's been used by rock n' roll. It's related to spirituals, and even the American fiddle tradition.
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We learn a language through its song, and even if you don't have music you have the song of people you love's voice, and you'll notice that song in their voice.
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Jazz music creates so many phenomenal figures.
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Benny Goodman's band was integrated before baseball. Even before it was physically integrated, music was integrated. Everyone listened to Armstrong and Ellington. The 20s was called the Jazz Age. It's part of being American.
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Louis Armstrong is jazz. He represents what the music is all about.
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Flexibility is an essential part of Jazz. It's what gives Jazz music the ability to combine with all other types of music and not lose its identity.
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Humility is the doorway 2 truth & clarity of objectives... it's the doorway 2 learning.
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And that's the soulful thing about playing: you offer something to somebody. You don't know if they'll like it, but you offer it.
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