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Maybe the preoccupation with technological progress has overshadowed our concern with human progress.

Wynton Marsalis

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Wynton Marsalis
Age: 63
Born: 1961
Born: October 18
Bandleader
Composer
Conductor
Jazz Musician
Trumpeter
New Orleans
Louisiana
Wynton Learson Marsalis
Human
Humans
Overshadowed
Preoccupation
Technological
Concern
Progress
Maybe

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Milk in a mother's breast-that's cool. Milk in a mouth-that's cool too. But milk in my trumpet? Not so cool. I have to play that thing.
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It was Dr. King's tireless activism that fostered our modern way of relating to one another.
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When I first came to New York everybody on the scene would treat me like I could play but I couldn't.
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I didn't want to get that ring around my lips from practicing the trumpet, because I thought the girls wouldn't like me. So I never practiced.
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The history of jazz lets us know that this period in our history is not the only period we've come through together. If we truly understood the history of our national arts, we'd know that we have mutual aspirations, a shared history, in good times and bad.
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I try to put a lot of our music in my music - by that I mean of American music.
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A beat is a moment in the life a groove.
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You don't try to duplicate certain things that other cats do, because you could never do it as well as they do. Nobody can get on that tenor saxophone and play like Trane, because he's the only one who can spell out chords and sound good when he does it.
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I play piano and drums very poorly and French horn and tuba all equally as bad.
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Jazz music is the power of now. There is no script. It's conversation. The emotion is given to you by musicians as they make split-second decisions to fulfill what they feel the moment requires.
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Grace Kelly plays with intelligence, wit and feeling. She has a great amount of natural ability and the ability to adapt. That is the hallmark of a first-class jazz musician.
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Ethics are more important than laws. Which means that the exact note is less important than the feeling of the note.
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There's so much spirit of integration and democracy in jazz.
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Our culture is what we did together. What did Walt Whitman represent for all of us? What was his message to us? That is an inheritance, and when we squander that inheritance we act outside. We don't know who we are we don't know where we are.
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In the Jazz at Lincoln Center Orchestra we play such a diversity of music, with 10 arrangers in the band, we don't really worry about whether it's contemporary or not.
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Young kids are always singing and painting. When you get to that second and third grade level, you're supposed to put all that aside.
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The heart of a music is its rhythm. The heart of rhythm section music is the rhythm.
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If you didn't have the amalgam of Blacks and African-type sensibility and European sensibility, you wouldn't have jazz. Even in the negative and in the positive ways - if there was no slavery and the abolition of slavery, there would be no jazz.
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I'm not a person who writes really abstract things with oblique references. I look at abstraction like I look at condiments. Give me some Tabasco sauce, some ketchup, some mayonnaise. I love all of that. Put it on a trumpet. I've just got to have the ketchup and Tabasco sauce. That's my attitude about musical philosophy.
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This rebuilding of New Orleans gives us the perfect opportunity to see if we're ready to extend the legacy of Dr. King.
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