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The nerves are a problem on trumpet, because when you mess up everyone can hear it. Just remember most people are too polite to say anything about it. That should calm your nerves.

Wynton Marsalis

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Wynton Marsalis
Age: 63
Born: 1961
Born: October 18
Bandleader
Composer
Conductor
Jazz Musician
Trumpeter
New Orleans
Louisiana
Wynton Learson Marsalis
Hear
Everyone
Trumpet
Remember
Trumpets
Problem
Polite
Anything
Nerves
People
Mess
Calm
Quiet

More quotes by Wynton Marsalis

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I almost never watch TV, except for '60 Minutes' and pro football. I love Drew Brees, the Manning brothers and the Steelers' linebackers.
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There's so much spirit of integration and democracy in jazz.
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When I was 12, I began listening to John Coltrane and I developed a love for jazz, which I still have more and more each year.
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One thing about excellence, it&Mac226s an exclusive club. And it&Mac226s only for those who really want to pay dues to the s--. My daddy told me when I was a boy: The only way you can be different from other people is to do some s-- they don't want to do.
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I always read all these books about the slaves. My mother is very educated. My father would talk to us like we were grown men. We never knew what he was talking about half the time.
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In the Jazz at Lincoln Center Orchestra we play such a diversity of music, with 10 arrangers in the band, we don't really worry about whether it's contemporary or not.
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When me and my brother would go to see our daddy playing, there'd be 30 people in the audience. I was only 14 or 15, but I realised something was wrong.
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Commercialism that has absolutely no relationship to quality whatsoever, only quantitative assessment of a thing.
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Many of our greatest musicians abandoned all of their aesthetic objectives to try to become pertinent. And, at the end of the day, they never became pop stars. I counter stated that very strongly, and I continue to do that.
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How great musicians demonstrate a mutual respect and trust on the bandstand can alter your outlook on the world and enrich every aspect of your life, understanding what it means to be a global citizen in the most modern sense.
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Some stances are just conducive to swinging. If I stand up straight for too long it's harder to swing. Plus my feet hurt.
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Swing is extreme coordination. It's a maintaining balance, equilibrium. It's about executing very difficult rhythms with a panache and a feeling in the context of very strict time. So, everything about the swing is about some guideline and some grid and the elegant way that you negotiate your way through that grid.
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Who creates a thing is not as important as what the thing is. Who created baseball? Who created basketball? Who created the space program? Who created - we could go on and on. We could argue about who created something. We all are participants in it.
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The soul gives us resilience - an essential quality since we constantly have to rebound from hardship.
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Nothing else will ever capture the democratic process in sound as perfectly as Jazz.
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Even if nobody's singing, just when you talk, you're singing. I'll meet somebody and say, Oh, I'm tone-deaf. I say, You're not tone-deaf, because if you were tone-deaf you would speak like that. But you're 'Oh, I'm tone-deaf.' You already sang a song to me.
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We all teach from that same frame of reference. We're like neighborhood - the people who have had the opportunity through this music to gain a platform and spread the message of this music, which is basically love in a form of communication that's honest and truthful.
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The Duke and Swing represent affirmation in the face of adversity.
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When those who are educated using their education to exploit those who aren't. That's what the sub-prime scandal represents - people of education using it at the expense of others. At Jazz at Lincoln Center, we have 22 educational programs. Not just the word but the substance of education is guided by the arts.
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Jazz music creates so many phenomenal figures.
Wynton Marsalis