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Surely to root politics out of art is a highly necessary undertaking: for the freedom of art, like that of science, depends entirely upon its objectivity and non-practical, non-partisan passion.

Wyndham Lewis

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Wyndham Lewis
Age: 72 †
Born: 1884
Born: November 18
Died: 1957
Died: January 1
Critic
Drawer
Editor
Journalist
Literary Critic
Novelist
Painter
Poet
Writer
Amherst
Nova Scotia
Percy Wyndham Lewis
Percy William Lewis
Percy Lewis
Wyndham Percy Lewis
Freedom
Practical
Undertaking
Upon
Surely
Partisan
Science
Entirely
Partisans
Art
Roots
Undertakings
Like
Necessary
Objectivity
Depends
Root
Passion
Practicals
Politics
Highly

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The Future is distant, like the Past, and therefore sentimental. The mere element Past must be retained to sponge up and absorb our melancholy. Everything absent, remote, requiring projection in the veiled weakness of the mind, is sentimental.
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To give up another person's love is a mild suicide like a very bad inoculation as compared to the full disease.
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Prostration is our natural position. A worm-like movement from a spot of sunlight to a spot of shade, and back, is the type of movement that is natural to men.
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The male has been persuaded to assume a certain onerous and disagreeable role with the promise of rewards -- material and psychological. Women may in the first place even have put it into his head. BE A MAN! may have been, metaphorically, what Eve uttered at the critical moment in the garden of Eden.
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Lenin in a top hat and frock coat would be a far greater anomaly than the Grand Lama of Thibet or a Zulu chief in that costume.
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Artists put as much vitality and delight into their saintliness and escape out as most men do their escapes into similar places from respectable existence.
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But ‘art’ is not anything serious or exclusive: it is the smell of oil paint, Henri Murger’s Vie de Boheme, corduroy trousers, the operatic Italian model: but the poetry, above all, of linseed oil and turpentine.
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Wherever there is objective truth, there is satire.
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I am an artist, and, through my eye, must confess to a tremendous bias. In my purely literary voyages my eye is always my compass.
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People are so overwhelmed with the prestige of their instruments that they consider their personal judgement of hardly any account.
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The earth has become one big village, with telephones laid on from one end to the other, and air transport, both speedy and safe.
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In life nothing is taken to its ultimate conclusion, life is a half-way house, a place of obligatory compromise and, in dealing in logical conclusions, a man steps out of life -- or so it would be quite legitimate to argue.
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We are the first men of a Future that has not materialized. We belong to a great age that has not come off. We moved too quickly for the world. We set too sharp a pace.
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Elephants are VERY BIG. Motor cars go quickly.
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Feminism was recognized by the average man as a conflict in which it was impossible for a man, as a chivalrous gentleman, as a respecter of the rights of little nations (like little Belgium), as a highly evolved citizen of a highly civilized community, to refuse the claim of this better half to self-determination.
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If you do not regard feminism with an uplifting sense of the gloriousness of woman's industrial destiny, or in the way, in short, that it is prescribed, by the rules of the political publicist, that you should, that will be interpreted by your opponents as an attack on woman.
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Laughter is the Wild Body's song of triumph.
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A hundred things are done today in the divine name of Youth, that if they showed their true colors would be seen by rights to belong rather to old age.
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I feel most at home in the United States, not because it is intrinsically a more interesting country, but because no one really belongs there any more than I do. We are all there together in its wholly excellent vacuum.
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Then down came the lid--the day was lost, for art, at Sarajevo. World-politics stepped in, and a war was started which has not ended yet: a war to end war. But it merely ended art. It did not end war.
Wyndham Lewis