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What is the good of being an island, if you are not a volcanic island?

Wyndham Lewis

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Wyndham Lewis
Age: 72 †
Born: 1884
Born: November 18
Died: 1957
Died: January 1
Critic
Drawer
Editor
Journalist
Literary Critic
Novelist
Painter
Poet
Writer
Amherst
Nova Scotia
Percy Wyndham Lewis
Percy William Lewis
Percy Lewis
Wyndham Percy Lewis
Volcanic
Island
Islands
Good

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As a result of the feminist revolution, feminine becomes an abusive epithet.
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In life nothing is taken to its ultimate conclusion, life is a half-way house, a place of obligatory compromise and, in dealing in logical conclusions, a man steps out of life -- or so it would be quite legitimate to argue.
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Laughter is the representative of Tragedy, when Tragedy is away.
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The teacher does not have to be, although he has to know: he is the mind imagining, not the executant.
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An artist should be as impartial as God.
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Happiness is the chief material also in the construction of Utopias.
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Wherever there is objective truth, there is satire.
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Spain is an overflow of sombreness . . . a strong and threatening tide of history meets you at the frontier.
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(Canada) - the most parochial nationette on earth ... I have been living in this sanctimonious icebox ... painting portraits of the opulent Methodists of Toronto. Methodism and money in this city have produced a sort of hell of dullness.
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Surely to root politics out of art is a highly necessary undertaking: for the freedom of art, like that of science, depends entirely upon its objectivity and non-practical, non-partisan passion.
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What every artist should try to prevent is the car, in which is our civilized life, plunging over the side of the precipice -- the exhibitionist extremist promoter driving the whole bag of tricks into a nihilistic nothingness or zero.
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The Future is distant, like the Past, and therefore sentimental. The mere element Past must be retained to sponge up and absorb our melancholy. Everything absent, remote, requiring projection in the veiled weakness of the mind, is sentimental.
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A sort of war of revenge on the intellect is what, for some reason, thrives in the contemporary social atmosphere.
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I feel most at home in the United States, not because it is intrinsically a more interesting country, but because no one really belongs there any more than I do. We are all there together in its wholly excellent vacuum.
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Feminism was recognized by the average man as a conflict in which it was impossible for a man, as a chivalrous gentleman, as a respecter of the rights of little nations (like little Belgium), as a highly evolved citizen of a highly civilized community, to refuse the claim of this better half to self-determination.
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Elephants are VERY BIG. Motor cars go quickly.
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If the world would only build temples to Machinery in the abstract then everything would be perfect. The painter and sculptor would have plenty to do, and could, in complete peace and suitably honored, pursue their trade without further trouble.
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But ‘art’ is not anything serious or exclusive: it is the smell of oil paint, Henri Murger’s Vie de Boheme, corduroy trousers, the operatic Italian model: but the poetry, above all, of linseed oil and turpentine.
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Dying for an idea,' again, sounds well enough, but why not let the idea die instead of you?
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Life is art's rival and vice versa.
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