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Images proliferate. Am I wrong in being reminded of printing money in a period of wild inflation? Do we know what we are doing? Are we able to evaluate what we have done?

Wright Morris

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Wright Morris
Age: 88 †
Born: 1910
Born: January 6
Died: 1998
Died: April 25
Critic
Novelist
Photographer
Poet
Writer
Central City
Nebraska
Wright Marion Morris
Wrong
Evaluate
Money
Printing
Able
Reminded
Done
Inflation
Images
Wild
Period
Periods
Proliferate

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The man who walks alone is soon trailed by the F.B.I.
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Everyone in California is from somewhere else.
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The vast number of photographers, feeding on anything visible, overgraze the landscape the way cattle overgraze their pasture.
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We make to ourselves pictures of facts. The picture is a model of reality
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The man who comes to writing late, but is in essence a writer, may sometimes gain as much as he has lost: his experience of life has given him a subject, he is spared the youthful writer's self-torment and soul-searching.
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As the style of Faulkner grew out of his rage--out of the impotence of his rage--the style of Hemingway grew out of the depth andnuance of his disenchantment.
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Writes have an island, a center of refuge, within themselves. It is the mind's anchorage, the soul's Great Good Place.
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I prefer a taken to a made photograph.
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The camera eye is the one in the middle of our forehead, combining how we see with what there is to be seen.
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When writing is good, everything is symbolic, but symbolic writing is seldom good.
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The past is useless. That explains why it is past.
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In the blur of the photograph, time leaves its gleaming, snail-like track.
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The imagination made us human, but being human, becoming more human, is a greater burden than we imagined. We have no choice but to imagine ourselves more human than we are.
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Writing has made me rich-not in money but in a couple hundred characters out there, whose pursuits and anguish and triumphs I've shared. I am unspeakably grateful at the life I have come to lead.
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[We] make images to see clearly: then we see clearly what we have made.
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After many months of writing, it occured to me that it might be possible to photograph, in the flesh, what I was attempting to capture in words. I bought a Rolleiflex camera and began to take pictures of objects or structures that were used and abused by human hands
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We're in the world of communications more and more, tough we're in communication less and less.
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Cats don't belong to people. They belong to places.
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The photograph, after all, is just a photograph. Words will determine its meaning and status.
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However much [photographs] may lie, they do so with the raw materials of truth.
Wright Morris