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When you write the script, you're home in a room by yourself, and you're writing, and there's no connection with the real performing world. So you get a lot of things wrong and make a lot of mistakes and make a lot of bad choices.
Woody Allen
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Woody Allen
Age: 88
Born: 1935
Born: December 1
Author
Character Actor
Clarinetist
Comedian
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Film Actor
Film Director
Film Producer
Jazz Musician
Journalist
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The Bronx
New York City
Allan Stewart Konigsberg
Allen Stewart Konigsberg
Heywood Allen
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Performing
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More quotes by Woody Allen
I believe there is something out there watching us. Unfortunately, it's the government.
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Your audience teaches you how to be funny.
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Life is full of misery, loneliness, and suffering - and it's all over much too soon.
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When you are dead, it is hard to find the light switch.
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I'm really impotent against the overwhelming bleakness of the universe and the only thing I can do is my little gift [filmmaking] and do it the best I can, [...] which is cold comfort.
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When I was kidnapped, my parents snapped into action. They rented out my room.
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The heart is a very, very resilient little muscle. It really is.
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I always thought it would be very funny if I was a blind film director.
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There is always the possibility that people will change. Real change is more rare. You are who you are at a certain age in life you are pretty much a variation of that your whole life. It's conceivable that you will change but it's not likely.
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Years ago I was on television having a discussion with Billy Graham about atheism. He was saying, even if you're right and I'm wrong, and there's nothing after, I will have had a better life than you, because I do believe there was something. And I couldn't argue with that, even though I wanted to.
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See, I will always have this penchant for what I call kamikaze women. I call them kamikazes because they, you know they crash their plane, they're self-destructive. But they crash into you, and you die along with them.
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People ask me whether I think that one day I might wake up one morning and run dry, but I've had the opposite feeling - that I would die before I had time to write all the ideas in my drawer.
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My mind can never know my body, although it has become quite friendly with my legs.
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Is Knowledge knowable? If not, how do we know?
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I myself don't like to speak to the actors at all. I like to hire great people and let them do their thing. I don't like to speak to them. I don't like to have lunch with them. I don't like to socialize with them. I don't like to hear their ideas.
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People always tease me. They say, look at you, you went for so much psychoanalysis and you're so neurotic, you wind up marrying a girl so much younger than you.
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When a film is reviled, you open a film and people say Oh, it's the stupidest thing, it's the worst movie. You think: oh, nobody's going to ever speak to you again. But, it doesn't happen. Nobody cares. You know, they read it and they say Oh, they hated your film. You care, at the time. But they don't. Nobody else cares.
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Isn't all mankind ultimately executed for a crime it never committed?
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To me, movies are valuable as an art form and as a wonderful means of popular entertainment. But I think movies have gone terribly wrong.
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What do I dislike about death? Must be the hours.
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